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THE GODS OF GUILT

Not much of a thriller or a mystery, but illuminating about the ways in which the law works and doesn’t.

The fifth in the best-selling Lincoln Lawyer series.

A former newspaper reporter, Connelly (The Reversal, 2010, etc.) has moved into the territory dominated by former lawyers John Grisham and Scott Turow in this series of novels featuring defense attorney Mickey Haller, a hustler whose office is the back seat of his Lincoln Town Car and whose approach to the legal system prizes pragmatism over idealism. For Haller, there was a “fine line between seeking the truth and seeking a verdict in your client’s favor. They weren’t always the same thing.” Doing a good job as a defense lawyer sometimes finds him at odds with a law-abiding society, including his estranged daughter, devastated when one of his clients freed on a technicality caused a tragic death. “I had to have faith that Hayley would eventually come to realize that the world was not black and white,” explains the protagonist. “That it was gray and the gray area was where her father dwelled.” Such prose belabors the obvious, and the frequent invocation of the title (in reference to juries in particular and to all others who would pass judgment on Haller) is heavy-handed. Yet the narrative momentum sustains itself, as Haller investigates a case that doesn’t look like it will change his daughter’s opinion of him. He’s defending a cyberpimp (a sign of the times; he designs websites) accused of murdering a prostitute who not only had a close relationship with Haller, but who had recommended him to her suspected killer if he ever needed a lawyer. Pretty quickly, it becomes plain who the good guys and bad guys are (by the standards of the series), with few surprises along the way. There is also a perfunctory romance, a few issues on the table and some plot developments that suggest that this isn’t the end of the series.

Not much of a thriller or a mystery, but illuminating about the ways in which the law works and doesn’t.

Pub Date: Dec. 2, 2013

ISBN: 978-0-316-06951-9

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2013

Kirkus Reviews Issue: Nov. 15, 2013

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THE WHISTLER

Yes, it’s formula. Yes, it’s not as gritty an exercise in swamp mayhem as Hiaasen, Buchanan, or Crews might turn in. But,...

“I started dreaming of getting rich, which, in Florida anyway, can lead to serious trouble”: another blockbuster in the making from Grisham (Rogue Lawyer, 2015, etc.), the ascended master of the legal procedural.

If justice is blind, it is also served, in theory, by incorruptible servants. Emphasize “in theory,” for as Grisham’s latest opens, judicial investigator Lacy Stoltz is confronted with the unpleasant possibility that a highly regarded judge may be on the take. The charge comes, discreetly, from a former lawyer–turned-jailbird-turned-lawyer again, who spins out a seemingly improbable tale of racketeering that weds the best elements of Gulf Coast society with the worst, from the brilliant legal minds of Tallahassee to some very unpleasant lads once styled as the Catfish Mafia, now reborn in an alt-version, the Coast Mafia. Lacy’s brief is to find out just how rotten the rotten judge is—and the answer is plenty. Naturally, this knowledge is not acquired without cost; the body count rises, bad things happen to good people, and for a time, at least, the villains get away with murder and more. Grisham has never been strong on characterization: Lacy, we learn, is content to be single, “to live alone, to sleep in the center of the bed, to clean up only after herself,” and so forth, but beyond that the reader doesn’t get much sense of what drives her to put herself in the way of flying bullets and sneering counsel: “His associate was Ian Archer, an unsmiling sort who refused to shake hands with anyone and reeked of surliness.” In laid-back Florida? Indeed, and in Grisham’s busy hands, a lot of players come and go, some fated to sleep with the manatees.

Yes, it’s formula. Yes, it’s not as gritty an exercise in swamp mayhem as Hiaasen, Buchanan, or Crews might turn in. But, like eating a junk burger, even though you probably shouldn’t, it’s plenty satisfying.

Pub Date: Oct. 25, 2016

ISBN: 978-0-385-54119-0

Page Count: 384

Publisher: Doubleday

Review Posted Online: Oct. 18, 2016

Kirkus Reviews Issue: Nov. 1, 2016

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THE BUTCHER

The secrets of the past refuse to keep quiet in this disquieting, taut thriller.

Thirty years ago, Seattle Police Capt. Edward Shank put down a serial killer dubbed the Butcher. Edward’s bullet ended Rufus Wedge’s sorry life. But did the killings end?

Hillier’s (Freak, 2012, etc.) third thriller fairly shudders with tension. Edward is ready to retire to an assisted living facility and give his grandson, Matt, the family home, a beloved Victorian in a posh neighborhood. An up-and-coming chef, Matt has parlayed his successful food-truck business into Adobo, the hottest restaurant in town, and the reality show networks are calling. The only trouble is that his girlfriend, Samantha, can’t understand why Matt hasn’t invited her to move in, too. After all, they’ve been together for three years. Pressuring Matt, though, isn’t getting her anywhere, and even their friend—well, really Sam’s friend—Jason is a little mystified. Certainly, Matt’s history of anger management trouble gives Jason pause. While Matt renovates the house and works late, Sam turns back to researching her latest true-crime book. This time, she has a personal investment. She’s convinced that her mother was killed by the notorious Butcher. Bored at the retirement home, Edward has become an invaluable sounding board. Like the Butcher’s other victims, Sam’s mother was raped, strangled and left in a shallow grave. Unfortunately for Sam’s theory, her mother was killed two years after Rufus Wedge’s death. Meanwhile, Matt’s contractor has unearthed a crate filled with gruesome artifacts. As Matt investigates the crate’s contents and Sam questions a mysterious informant, their romance unravels and the body count begins to rise. Hillier sends her reader into a labyrinth of creepy twists and grotesque turns. There’s no escape from the brutal truths exposed.

The secrets of the past refuse to keep quiet in this disquieting, taut thriller.

Pub Date: July 15, 2014

ISBN: 978-1-4767-3421-7

Page Count: 352

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: June 17, 2014

Kirkus Reviews Issue: July 1, 2014

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