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THE GODS OF GUILT

Not much of a thriller or a mystery, but illuminating about the ways in which the law works and doesn’t.

The fifth in the best-selling Lincoln Lawyer series.

A former newspaper reporter, Connelly (The Reversal, 2010, etc.) has moved into the territory dominated by former lawyers John Grisham and Scott Turow in this series of novels featuring defense attorney Mickey Haller, a hustler whose office is the back seat of his Lincoln Town Car and whose approach to the legal system prizes pragmatism over idealism. For Haller, there was a “fine line between seeking the truth and seeking a verdict in your client’s favor. They weren’t always the same thing.” Doing a good job as a defense lawyer sometimes finds him at odds with a law-abiding society, including his estranged daughter, devastated when one of his clients freed on a technicality caused a tragic death. “I had to have faith that Hayley would eventually come to realize that the world was not black and white,” explains the protagonist. “That it was gray and the gray area was where her father dwelled.” Such prose belabors the obvious, and the frequent invocation of the title (in reference to juries in particular and to all others who would pass judgment on Haller) is heavy-handed. Yet the narrative momentum sustains itself, as Haller investigates a case that doesn’t look like it will change his daughter’s opinion of him. He’s defending a cyberpimp (a sign of the times; he designs websites) accused of murdering a prostitute who not only had a close relationship with Haller, but who had recommended him to her suspected killer if he ever needed a lawyer. Pretty quickly, it becomes plain who the good guys and bad guys are (by the standards of the series), with few surprises along the way. There is also a perfunctory romance, a few issues on the table and some plot developments that suggest that this isn’t the end of the series.

Not much of a thriller or a mystery, but illuminating about the ways in which the law works and doesn’t.

Pub Date: Dec. 2, 2013

ISBN: 978-0-316-06951-9

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2013

Kirkus Reviews Issue: Nov. 15, 2013

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DISCLAIMER

An addictive psychological thriller.

When a mysterious novel appears on her bedside table, a successful documentary filmmaker finds herself face to face with a secret that threatens to unravel life as she knows it.

Catherine Ravenscroft has built a dream life, or close to it: the devoted husband, the house in London, the award-winning career as a documentary filmmaker. And though she’s never quite bonded with her 25-year-old son the way she’d hoped, he’s doing fine—there are worse things than being an electronics salesman. But when she stumbles across a sinister novel called The Perfect Stranger—no one’s quite sure how it came into the house—Catherine sees herself in its pages, living out scenes from her past she’d hoped to forget. It’s a threat—but from whom? And why now, 20 years after the fact? Meanwhile, Stephen Brigstocke, a retired teacher, widowed and in pain, is desperate to exact revenge on Catherine and make her pay for what happened all those years ago. The story is told in alternating chapters, Catherine's in the third-person and Stephen's in the first, as the two orbit each other, predator and prey, and the novel moves between the past and the present to paint a portrait of two troubled families with trauma bubbling under the surface. As their lives become increasingly entangled, Stephen’s obsession grows, Catherine’s world crumbles, and it becomes clear that—in true thriller form—everything may not be as it seems. But how much destruction must be wrought before the truth comes out? And when it does, will there be anything left to salvage? While the long buildup to the big reveal begins to drag, Knight’s elegant plot and compelling (if not unexpected) characters keep the heart of the novel beating even when the pacing falters. Atmospheric and twisting and ripe for TV adaptation, this debut novel never strays far from convention, but that doesn’t make it any less of a page-turner.

An addictive psychological thriller.

Pub Date: May 19, 2015

ISBN: 978-0-06-236225-4

Page Count: 352

Publisher: Harper/HarperCollins

Review Posted Online: March 1, 2015

Kirkus Reviews Issue: March 15, 2015

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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