A United States space probe erratically falls from orbit and lands near a small Arizona town mysteriously wiping out all life in the vicinity except for two diametrically different survivors. Scientists have to determine "why a sixty-nine-year-old Sterno drinker with an ulcer is like a two-month-old baby". . . among other things. This details the secret mobilization of efforts and the extraordinary precautions taken as the U.S. tries to discover what ominous extraterrestrial entity is causing the plague... as it slowly mushrooms. Four biomedical scientists are encapsulated with the deadly probe far underground in an amazingly intricate decontamination chamber. Obviously based on a pipeline of information to actual equipment and installations (to be annotated with diagrams, etc.), this is horrifyingly immediate and filled with fascinating detail such as the fumigation chamber where they burn the outer epidermis off the skin. Brought right down to earth by what has appeared recently in the news, an exciting demonstration of the possible impossible.
Pub Date: May 26, 1969
ISBN: 006170315X
Page Count: 387
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: May 1, 1969
The impossibility of pigeon-holding Ray Bradbury as a science fiction writer is once again emphasized in this charming philosophical study of adolescence. Douglas Spaulding at twelve is suddenly excitingly aware of the world around him, of the magic and wonder and understanding that had passed him by. His neighbors take on new dimensions. Death and old age as universal factors of living shock him to the depths. A country summer becomes something that must be seized and recorded with every passing hour. A friend who has been all-compassing moves from town; it is almost more than he can bear — and he turns to his small brother with unexpected attachment. The dandelion wine becomes a symbol of successive events, week by week. This is not a novel. Rather is it a blend of nostalgic recall — very definitely an adult remembering, interpreting, philosophizing over the brief period of awakening that belongs to adolescence, and episodes about incidents, often horrors, related to other people in the town. There's a succession of murders of young women; there's a newcomer, an old lady, who learns through the children not to cling to her past; there's a strange love affair between an elderly spinster and a young newspaper man; there's an ancient whose vivid reliving of his past brings history to life for the boy listeners. Douglas is now a central figure, now a participant, and frequently merely a passer-by in the lives of his elders. This demands rather special handling and understanding. The poignant quality of Bradbury's writing, the evocative elements that will capture others than his usual audience, combine to make this an unusual reading experience.
Pub Date: March 26, 1975
ISBN: 0380977265
Page Count: 290
Publisher: Knopf
Review Posted Online: March 20, 2012
Kirkus Reviews Issue: March 1, 1975
Arden has shaped a world that neatly straddles the seen and the unseen, where readers will hear echoes of stories from...
Arden’s supple, sumptuous first novel transports the reader to a version of medieval Russia where history and myth coexist.
In a village in the northern woods where her father is the overlord, Vasya, a girl who has inherited her royal grandmother’s understanding of magic and the spirits that inhabit the everyday world, is born to a mother who dies in childhood. Raised by a kind father, an anxious and spiteful stepmother, a wise nurse, and four older siblings, the feisty and near-feral girl—“too tall, skinny as a weasel, feet and face like a frog”—learns to talk with horses and befriends the household and forest spirits that live in and around the village. These, say the handsome young priest who has been exiled to serve their household, are demons and deserve to be exorcised. The battle between Vasya and driven Konstantin, who spends his free time painting icons, fuels the plot, as does the presence of two of the old gods, who represent death and fear. Arden has obviously immersed herself in Russian history and culture, but as a consummate storyteller, she never lets the details of place and time get in the way of a compelling and neatly structured narrative. Her main story, which has the unmistakable shape of an original fairy tale, is grounded in the realities of daily life in the time period, where the top of a large stove serves as a bed for the elderly and the ill and the dining hall of the Grand Prince of Moscow reeks of “mead and dogs, dust and humanity.” Even minor characters are given their own sets of longings and fears and impact the trajectory of the story.
Arden has shaped a world that neatly straddles the seen and the unseen, where readers will hear echoes of stories from childhood while recognizing the imagination that has transformed old material into something fresh.Pub Date: Jan. 17, 2017
ISBN: 978-1-101-88593-2
Page Count: 336
Publisher: Del Rey/Ballantine
Review Posted Online: Oct. 9, 2016
Kirkus Reviews Issue: Oct. 15, 2016
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