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RED CLOUD AT DAWN

TRUMAN, STALIN, AND THE END OF THE ATOMIC MONOPOLY

A well-constructed work about a key era in U.S.-Soviet relations.

A detailed look at the period between and the first U.S. nuclear test, in 1945, and its Soviet counterpart in 1949.

Gordin (History of Science/Princeton Univ.; Five Days in August: How World War II Became a Nuclear War, 2007, etc.) begins on a dramatic note at the Allied conference at Potsdam on July 24, 1945, when President Harry Truman informed Soviet leader Joseph Stalin of the existence of a new and powerful U.S. weapon that he believed would end the war with Japan. As with many key events in the book, Gordin refracts this private conversation through a kaleidoscope of sources—interpreters and aides on both sides give their versions of how both men acted and reacted—providing the reader with a bright, readable mosaic. It becomes clear that the Americans were somewhat unprepared for the Soviets’ determination to catch up in the new arms race, and the Soviets were able to gather information about American nuclear weapons despite stringent controls. Indeed, the first Soviet nuclear test took place years before the U.S. government had estimated, and Gordin examines how Cold War policies soon took firm hold. The author’s command of this material is impressive, particularly his ability to humanize the proceedings at key moments through his smart choice of sources. The clipped diary of Atomic Energy Commission chairman David Lilienthal, for example, recounts Truman informing him of the Soviet test, and sketches a seldom-seen picture of the president: “He took off glasses, first time I saw him without them, large, fine eyes. Considerate, fine air of patience and interest.” These intimate touches set the book apart from similar histories.

A well-constructed work about a key era in U.S.-Soviet relations.

Pub Date: Oct. 7, 2009

ISBN: 978-0-374-25682-1

Page Count: 400

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 2009

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WHO STOLE THE AMERICAN DREAM?

Not flawless, but one of the best recent analyses of the contemporary woes of American economics and politics.

Remarkably comprehensive and coherent analysis of and prescriptions for America’s contemporary economic malaise by Pulitzer Prize–winning journalist Smith (Rethinking America, 1995, etc.).

“Over the past three decades,” writes the author, “we have become Two Americas.” We have arrived at a new Gilded Age, where “gross inequality of income and wealth” have become endemic. Such inequality is not simply the result of “impersonal and irresistible market forces,” but of quite deliberate corporate strategies and the public policies that enabled them. Smith sets out on a mission to trace the history of these strategies and policies, which transformed America from a roughly fair society to its current status as a plutocracy. He leaves few stones unturned. CEO culture has moved since the 1970s from a concern for the general well-being of society, including employees, to the single-minded pursuit of personal enrichment and short-term increases in stock prices. During much of the ’70s, CEO pay was roughly 40 times a worker’s pay; today that number is 367. Whether it be through outsourcing and factory closings, corporate reneging on once-promised contributions to employee health and retirement funds, the deregulation of Wall Street and the financial markets, a tax code which favors overwhelmingly the interests of corporate heads and the superrich—all of which Smith examines in fascinating detail—the American middle class has been left floundering. For its part, government has simply become an enabler and partner of the rich, as the rich have turned wealth into political influence and rigid conservative opposition has created the politics of gridlock. What, then, is to be done? Here, Smith’s brilliant analyses turn tepid, as he advocates for “a peaceful political revolution at the grassroots” to realign the priorities of government and the economy but offers only the vaguest of clues as to how this might occur.

Not flawless, but one of the best recent analyses of the contemporary woes of American economics and politics.

Pub Date: Sept. 11, 2012

ISBN: 978-1-4000-6966-8

Page Count: 576

Publisher: Random House

Review Posted Online: July 16, 2012

Kirkus Reviews Issue: Aug. 1, 2012

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THE WAY I HEARD IT

Never especially challenging or provocative but pleasant enough light reading.

Former Dirty Jobs star Rowe serves up a few dozen brief human-interest stories.

Building on his popular podcast, the author “tells some true stories you probably don’t know, about some famous people you probably do.” Some of those stories, he allows, have been subject to correction, just as on his TV show he was “corrected on windmills and oil derricks, coal mines and construction sites, frack tanks, pig farms, slime lines, and lumber mills.” Still, it’s clear that he takes pains to get things right even if he’s not above a few too-obvious groaners, writing about erections (of skyscrapers, that is, and, less elegantly, of pigs) here and Joan Rivers (“the Bonnie Parker of comedy”) there, working the likes of Bob Dylan, William Randolph Hearst, and John Wayne into the discourse. The most charming pieces play on Rowe’s own foibles. In one, he writes of having taken a soft job as a “caretaker”—in quotes—of a country estate with few clear lines of responsibility save, as he reveals, humoring the resident ghost. As the author notes on his website, being a TV host gave him great skills in “talking for long periods without saying anything of substance,” and some of his stories are more filler than compelling narrative. In others, though, he digs deeper, as when he writes of Jason Everman, a rock guitarist who walked away from two spectacularly successful bands (Nirvana and Soundgarden) in order to serve as a special forces operative: “If you thought that Pete Best blew his chance with the Beatles, consider this: the first band Jason bungled sold 30 million records in a single year.” Speaking of rock stars, Rowe does a good job with the oft-repeated matter of Charlie Manson’s brief career as a songwriter: “No one can say if having his song stolen by the Beach Boys pushed Charlie over the edge,” writes the author, but it can’t have helped.

Never especially challenging or provocative but pleasant enough light reading.

Pub Date: Oct. 15, 2019

ISBN: 978-1-982130-85-5

Page Count: 224

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Aug. 17, 2019

Kirkus Reviews Issue: Sept. 1, 2019

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