by Michael D. Lemonick ‧ RELEASE DATE: Feb. 7, 2017
An absolutely memorable book.
A veteran science journalist uses the story of Lonni Sue Johnson, a young woman who suffered a severe infection that destroyed her hippocampus, to illuminate his journey into the murky subject of memory itself.
Scientific American opinion editor Lemonick (Mirror Earth: The Search for Our Planet’s Twin, 2012, etc.) skillfully employs both a personal voice—he knew the victim’s sister from middle school—and a scholarly authority as he travels through the incredible life of Lonnie Sue, a successful artist (among other projects, she produced covers for the New Yorker) and writer whose life changed forever in late 2007 when the infection hit her. Her nonagenarian mother and her sister swooped in to care for her in ways that seem miraculous in today’s warehouse-the-elderly and -disabled culture. Since the destruction of the region of the brain responsible for “relational processing,” Lonni Sue has maintained a cheerful, friendly manner (despite her inability to remember people she has just met) and shows an astonishing capacity for word games. She can also still play her viola, can describe how to fly a plane (she had a pilot’s license), and can draw—and much more. Lemonick focuses on her case and biography, but he has larger goals: to acquaint us with the history of research on memory, to review some of the most notable cases in memory loss, and to help us comprehend current theories about types of memory—and how memory works. (He even provides a bit of film criticism—Memento comes off fairly well; 50 First Dates does not.) Although there are some familiar names—Oliver Sacks, William James—most of his references are to working neuroscientists today. His great accomplishment is helping us see the “new” Lonni Sue as a most remarkable person.
An absolutely memorable book.Pub Date: Feb. 7, 2017
ISBN: 978-0-385-53966-1
Page Count: 304
Publisher: Doubleday
Review Posted Online: Oct. 19, 2016
Kirkus Reviews Issue: Nov. 1, 2016
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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