Touted as a comedy, Dahlie’s debut is an exercise in schadenfreude that is not remotely funny.

A GENTLEMAN’S GUIDE TO GRACEFUL LIVING

Portrait of a well-heeled wimp.

When we first see Arthur Camden he’s crying his eyes out. The middle-aged New Yorker has reached his nadir. He has run the family import-export business into the ground, and his trampy wife Rebecca has divorced him. Arthur’s a member of an exclusive fishing club, the Fly Casters, and he has his tearful breakdown in front of his fellow members, believing them to be his friends. He’s wrong; for most of them he’s a figure of fun, but there’s an exception, Ken Fielder, who fixes Arthur up with some dates which don’t pan out. Then Arthur dates a woman called Rixa who insists he show her the club’s luxurious lodge in the Catskills, though it’s breaking the rules to sneak in strangers. The evening is a disaster; accident-prone Arthur causes a fire and bursts into tears as the club burns down. He’s forced to resign, but he still has his Park Avenue apartment and enough money to sustain a work-free lifestyle. Time to escape Manhattan. He takes up the reluctantly proffered invitation of an old school friend with a nice spread in the French Alps, but Prentice Ross is no more a friend now than his erstwhile fishing buddies. He’s a neglectful host, an angry alcoholic who lands Arthur in trouble with the cops; lacking the guts to deck Ross, Arthur beats a hasty retreat to Switzerland. Instead of a plot Dahlie arranges a series of scenes that humiliate Arthur without granting him self-knowledge; the point being, presumably, that there’s no fool like an old fool. At a family reunion on Nantucket he steals his cousin’s watch, an expensive family heirloom, only to have its loud alarm incriminate him, a moment of primitive farce. Farce is followed by wild improbability when ex-wife Rebecca, quite drunk, pressures Arthur into meaningless sex, leading him to hope for a reconciliation. Fat chance.

Touted as a comedy, Dahlie’s debut is an exercise in schadenfreude that is not remotely funny.

Pub Date: June 1, 2008

ISBN: 978-0-393-06617-3

Page Count: 256

Publisher: Norton

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 1, 2008

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The phrase “tour de force” could have been invented for this audacious novel.

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A LITTLE LIFE

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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