by Michael Derison ‧ RELEASE DATE: N/A
An uneven thriller with a zigzagging plot but intriguing characters.
America teeters on anarchy as high-level subversives conspire to exploit a new doomsday weapon in Derison’s (Native Moments, 2011) international techno-thriller.
During a baseball game at a boys’ camp in Maine, an outfielder stumbles upon the body of a murdered woman. The victim is identified as Doctor Sarah Litel, a chemistry whiz who was heavily involved with the Ion Disruptor, a doomsday weapon that can vaporize matter on a devastating scale. Coincidentally, Marc Halvers, the Maine detective initially investigating Litel’s murder, had an affair with her eight years earlier, during his stint as her bodyguard at a remote base in Asia; Litel’s employer, the defense contractor Anders Research Institute, had brought her there to assist U.S. Army technicians testing the Ion Disruptor. Just as Halvers starts to probe Litel’s death, however, the FBI takes over the investigation. At the same time, the Federal Internal Security Trust, or FIST—a Department of Homeland Security–like agency—also takes an acute interest in the case. Meanwhile, the country undergoes various crises that make it ripe for subversion, as the middle class collapses, Congress grinds to a halt and the population splinters into factions. The action shifts to Paris, Rome and beyond, as shadowy groups of politicians, National Security Agency operatives, ex-commandos, senior military officers and greedy capitalists vie for control of the Ion Disruptor and the U.S. government itself. Fortunately for readers, it’s easy to root for Halvers and fellow good-guy Adam Pershing, a former colleague of Litel, as they struggle against corrupt adversaries and unlikely odds. The narrative definitely favors action scenes, but the sex scenes, although somewhat perfunctory, effectively move the romantic side of the story along. Its descriptions of foreign settings such as Paris (with its “past of peasants with straw-filled carts, artisans and hunchbacks, church gargoyles and powder-wigged aristocrats, and heads toppled into bloody baskets”) also ring true. However, the disjointed plot sometimes detracts from the overall flow, and the wide-ranging cast can be hard to track. That said, there’s also a daring, well-executed subplot that explores two young characters’ same-sex romantic feelings, and the story becomes particularly poignant when they take center stage.
An uneven thriller with a zigzagging plot but intriguing characters.Pub Date: N/A
ISBN: 978-1505520668
Page Count: -
Publisher: Boylston Press
Review Posted Online: Jan. 27, 2015
Review Program: Kirkus Indie
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BOOK REVIEW
by Larry McMurtry ‧ RELEASE DATE: June 1, 1985
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
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SEEN & HEARD
by Kristin Hannah ‧ RELEASE DATE: July 1, 2002
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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