An intimate and resonant take on finding one’s place in the world even while being pulled in opposing directions.
What does it mean to come of age, and how does that change depending on where you live? In his debut novel, Donkor explores the tensions of growing up between two cultures as three young women face the challenges of adolescence in Ghana and among the Ghanaian diaspora in London.
Just after the millennium, 17-year-old Belinda and 11-year-old Mary are live-in maids for a wealthy elderly couple—whom they call Aunty and Uncle—who made their money in the U.K. and retired to their native Ghana. When Ghanaian friends still living in London come to visit, it’s decided that they’ll bring Belinda back with them to London to act as a good influence on their moody, rebellious, and thoroughly Westernized teenage daughter, Amma. (Donkor’s parents are Ghanaian; he was born in London.) Donkor’s deft shifts between spheres and scenes—house parties populated by posh British teens; the rural village where Belinda grew up and where she and her mother are mysteriously ostracized; the opulent home where Belinda and Mary work—are confident and illuminating, revealing the complexity and nuance of modern life, particularly for immigrants. Dialogue, both external and internal, is often a delight—Mary and Belinda’s speech is peppered with pop-culture references and Twi idioms. (There’s a helpful glossary at the beginning of the book, though some phrases go untranslated.) As Belinda teases Mary on the phone, shortly after she arrives in London: “And what do you know of planes? Oh, I forgot, you are in aeroplanes all of the time, isn’t it? Like a smaller Naomi Campbell.” The narrative stays closest to Belinda’s perspective, as it is she who travels from Ghana to England and back again. Throughout the novel, growing up is characterized as a series of losses, as Belinda, Amma, and Mary face death, limited opportunity, and unrequited first love. While the conclusion veers toward didacticism, Belinda learns that there’s power in living through loss, too.
An intimate and resonant take on finding one’s place in the world even while being pulled in opposing directions.Pub Date: Aug. 28, 2018
ISBN: 978-1-250-30517-6
Page Count: 320
Publisher: Picador
Review Posted Online: July 1, 2018
Kirkus Reviews Issue: July 15, 2018
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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