An intimate and resonant take on finding one’s place in the world even while being pulled in opposing directions.
What does it mean to come of age, and how does that change depending on where you live? In his debut novel, Donkor explores the tensions of growing up between two cultures as three young women face the challenges of adolescence in Ghana and among the Ghanaian diaspora in London.
Just after the millennium, 17-year-old Belinda and 11-year-old Mary are live-in maids for a wealthy elderly couple—whom they call Aunty and Uncle—who made their money in the U.K. and retired to their native Ghana. When Ghanaian friends still living in London come to visit, it’s decided that they’ll bring Belinda back with them to London to act as a good influence on their moody, rebellious, and thoroughly Westernized teenage daughter, Amma. (Donkor’s parents are Ghanaian; he was born in London.) Donkor’s deft shifts between spheres and scenes—house parties populated by posh British teens; the rural village where Belinda grew up and where she and her mother are mysteriously ostracized; the opulent home where Belinda and Mary work—are confident and illuminating, revealing the complexity and nuance of modern life, particularly for immigrants. Dialogue, both external and internal, is often a delight—Mary and Belinda’s speech is peppered with pop-culture references and Twi idioms. (There’s a helpful glossary at the beginning of the book, though some phrases go untranslated.) As Belinda teases Mary on the phone, shortly after she arrives in London: “And what do you know of planes? Oh, I forgot, you are in aeroplanes all of the time, isn’t it? Like a smaller Naomi Campbell.” The narrative stays closest to Belinda’s perspective, as it is she who travels from Ghana to England and back again. Throughout the novel, growing up is characterized as a series of losses, as Belinda, Amma, and Mary face death, limited opportunity, and unrequited first love. While the conclusion veers toward didacticism, Belinda learns that there’s power in living through loss, too.
An intimate and resonant take on finding one’s place in the world even while being pulled in opposing directions.Pub Date: Aug. 28, 2018
ISBN: 978-1-250-30517-6
Page Count: 320
Publisher: Picador
Review Posted Online: July 1, 2018
Kirkus Reviews Issue: July 15, 2018
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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