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4TH ORIGIN

REFUTING THE MYTH OF EVOLUTIONISM AND EXPOSING THE FOLLY OF CLERGY LETTERS

A vigorous but not always convincing attack on Darwinian thought and its religious apologists.

According to Ebifegha’s creationist treatise, belief in Darwinian evolution is its own religion—and one that clerics of different faiths should avoid.

The author advances several intersecting scientific and religious arguments against what he refers to as “evolutionism”—the belief that Darwinian “macroevolution” through natural selection, acting on random mutation, can cause major changes in organisms that give rise to novel species. (He does allow that “microevolution”—small-scale evolution that does not create new species—does exist.) On the scientific side, Ebifegha reprises the traditional argument of intelligent design, contending that even rudimentary life forms are too complex to have arisen through random mutation and must have been designed by a cosmic intelligence; he also asserts that biologists have no satisfactory explanation of how the first living cells emerged from inanimate matter. The author also emphasizes gaps in the fossil record, which rarely shows intermediate organismal forms as predicted by Darwin’s notion of gradual evolution through the accretion of incremental mutations. On this point, he quotes Darwin, who acknowledged that this lack was the gravest challenge to his theory. Ebifegha instead spotlights the Cambrian Explosion, a geological era in which a profusion of advanced organisms suddenly appeared in a short period without fossil precursors; he feels that this development supports the biblical account of God creating the world over a period of six days. He further cites criticism by evolutionary biologists who theorize that evolution proceeds in rapid, non-random bursts. On the religious side, Ebifegha castigates the Clergy Letter Project, an effort by pro-evolution clergymen urging school boards not to teach creationism; he argues that Darwinism is an unprovable religious doctrine that contradicts the Bible and promotes atheism.

Ebifegha presents a cogent, if one-sided, critique of evolutionary theory’s shortcomings, written in lucid, often tart prose: “No scientist has ever presented a test that demonstrates the transformation of a reptile to a bird.” His brief against liberal pastors who want to reconcile evolution with Christianity (“God Almighty is not pleased when clergy are lukewarm, and blend what is sacred with what is secular,” he warns) will resonate with those who believe in the inerrancy of the Bible, as will his painstaking exegeses of Scripture. Readers who lack a religious commitment to biblical literalism, however, may find these arguments less compelling, and they may scratch their heads at Ebifegha’s hairsplitting epistemological pronouncements: “The existence of dinosaurs, just like that of every other creature, is a fact of history and not a fact of either science or religion,” he writes, addressing the question of why there are no dinosaurs in the Bible if God created them at the same time as humans; more to the point, he suggests that the “behemoth” described in the Book of Job was in fact a herbivorous dinosaur rather than an elephant or hippopotamus. Readers in search of a full exploration of this book’s issues will want to pair Ebifegha’s volume with one of many defenses of Darwinian theory by biologists. A vigorous but not always convincing attack on Darwinian thought and its religious apologists.

Pub Date: March 17, 2023

ISBN: 9781957956916

Page Count: 190

Publisher: Leavitt Peak Press

Review Posted Online: Aug. 15, 2023

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CALL ME ANNE

A sweet final word from an actor who leaves a legacy of compassion and kindness.

The late actor offers a gentle guide for living with more purpose, love, and joy.

Mixing poetry, prescriptive challenges, and elements of memoir, Heche (1969-2022) delivers a narrative that is more encouraging workbook than life story. The author wants to share what she has discovered over the course of a life filled with abuse, advocacy, and uncanny turning points. Her greatest discovery? Love. “Open yourself up to love and transform kindness from a feeling you extend to those around you to actions that you perform for them,” she writes. “Only by caring can we open ourselves up to the universe, and only by opening up to the universe can we fully experience all the wonders that it holds, the greatest of which is love.” Throughout the occasionally overwrought text, Heche is heavy on the concept of care. She wants us to experience joy as she does, and she provides a road map for how to get there. Instead of slinking away from Hollywood and the ridicule that she endured there, Heche found the good and hung on, with Alec Baldwin and Harrison Ford starring as particularly shining knights in her story. Some readers may dismiss this material as vapid Hollywood stuff, but Heche’s perspective is an empathetic blend of Buddhism (minimize suffering), dialectical behavioral therapy (tolerating distress), Christianity (do unto others), and pre-Socratic philosophy (sufficient reason). “You’re not out to change the whole world, but to increase the levels of love and kindness in the world, drop by drop,” she writes. “Over time, these actions wear away the coldness, hate, and indifference around us as surely as water slowly wearing away stone.” Readers grieving her loss will take solace knowing that she lived her love-filled life on her own terms. Heche’s business and podcast partner, Heather Duffy, writes the epilogue, closing the book on a life well lived.

A sweet final word from an actor who leaves a legacy of compassion and kindness.

Pub Date: Jan. 24, 2023

ISBN: 9781627783316

Page Count: 176

Publisher: Viva Editions

Review Posted Online: Feb. 6, 2023

Kirkus Reviews Issue: March 1, 2023

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GREENLIGHTS

A conversational, pleasurable look into McConaughey’s life and thought.

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All right, all right, all right: The affable, laconic actor delivers a combination of memoir and self-help book.

“This is an approach book,” writes McConaughey, adding that it contains “philosophies that can be objectively understood, and if you choose, subjectively adopted, by either changing your reality, or changing how you see it. This is a playbook, based on adventures in my life.” Some of those philosophies come in the form of apothegms: “When you can design your own weather, blow in the breeze”; “Simplify, focus, conserve to liberate.” Others come in the form of sometimes rambling stories that never take the shortest route from point A to point B, as when he recounts a dream-spurred, challenging visit to the Malian musician Ali Farka Touré, who offered a significant lesson in how disagreement can be expressed politely and without rancor. Fans of McConaughey will enjoy his memories—which line up squarely with other accounts in Melissa Maerz’s recent oral history, Alright, Alright, Alright—of his debut in Richard Linklater’s Dazed and Confused, to which he contributed not just that signature phrase, but also a kind of too-cool-for-school hipness that dissolves a bit upon realizing that he’s an older guy on the prowl for teenage girls. McConaughey’s prep to settle into the role of Wooderson involved inhabiting the mind of a dude who digs cars, rock ’n’ roll, and “chicks,” and he ran with it, reminding readers that the film originally had only three scripted scenes for his character. The lesson: “Do one thing well, then another. Once, then once more.” It’s clear that the author is a thoughtful man, even an intellectual of sorts, though without the earnestness of Ethan Hawke or James Franco. Though some of the sentiments are greeting card–ish, this book is entertaining and full of good lessons.

A conversational, pleasurable look into McConaughey’s life and thought.

Pub Date: Oct. 20, 2020

ISBN: 978-0-593-13913-4

Page Count: 304

Publisher: Crown

Review Posted Online: Oct. 27, 2020

Kirkus Reviews Issue: Dec. 1, 2020

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