Writing his biography without the cooperation of Hopkins (now Sir Anthony), Callan (Julie Christie, 1985, etc.) leans heavily on the existing journalistic corpus for his chronicle of the bedeviled, Welsh actor, nominated this year for his second Academy Award. On the personal side, the book is weak and portentous. The telling of Hopkins's early years, as the only child of a prosperous baker from the district of Taibach, is drawn apparently from the authorized version, Quentin Falk's Anthony Hopkins. (Callan was shooed away from the actor's elderly mother and told to ``burn'' her phone number.) We must settle for the staccato recollections of childhood neighbors, e.g., ``I believe [Hopkins's father] slapped the boy a bit. Not because he was hard, but because he couldn't understand him.'' Similarly, the breakaway stuff—the shared bedsits, provincial rep, studying at the Royal Academy of Dramatic Arts, apprenticing at the National Theatre under Olivier—is also sparsely furnished. Callan indicates in his introduction that first wife Petronella Barker, who shared the actor's alcoholic storms, will take us places previously off-limits, but her input came with severe restrictions, and her insights are rather more short than gnomic. Happily, there is much here that works very well, notably the rendering of Hopkins's artistic development—the coming to grips with the feminine nature of his muse, the realization and final articulation of an easeful minimalism in his work, the birthing of which, however, took a ghastly toll. English film writer Tony Crawley contributed much new and previously published material. With Hopkins almost as hot as his demons, there will be attention paid.
Pub Date: May 1, 1994
ISBN: 0-684-19679-4
Page Count: 288
Publisher: Scribner
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1994
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
