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TRUE STORY

MURDER, MEMOIR, MEA CULPA

There’s a morbid fascination in following Longo’s descent, and Finkel (Alpine Circus, 1999) tells the tawdry tale in crisp...

A disgraced New York Times reporter seeks out an accused murderer who’d been using the reporter’s identity while evading U.S. authorities in Mexico. A marriage of convenience perhaps, but not one made in heaven.

Indeed, by the time we've consumed this eminently readable if sour-tasting story, we have little sympathy for either the narcissistic Christian Longo, accused of murdering his wife and three children in December of 2001, or for Finkel, the journalist who sought out Longo with an eye toward writing the book at hand. Finkel learned of Longo within hours of being fired from the Times Magazine for fabricating parts of a story about workers in the Ivory Coast. Anyone can make a mistake, of course. But it doesn’t raise our level of empathy when Finkel confides that he’s been an inveterate liar most of his life (“The West Africa article wasn’t my first blatant deception. I’d lied many times: to bolster my credentials, to elicit sympathy, to make myself appear less ordinary”). During long correspondence and weekly phone calls before Longo’s trial, the pair forge a relationship based largely on mutual need. Longo needs someone to talk to; Finkel needs someone to write about. So we follow glumly along as Longo describes his descent from husband to thief to check forger to fugitive, portraying himself as a poor father struggling against one economic setback after the next. Longo insists he’s innocent of murder, even as his self-serving story becomes more transparent and nauseating. Finkel, meanwhile, already less skeptical than he should be, weaves in an account of his own firing, highlighting the pressures that led to his fabrications. Ultimately, both Longo’s and Finkel’s stories seem to share a common thread: rationalization of their misdeeds.

There’s a morbid fascination in following Longo’s descent, and Finkel (Alpine Circus, 1999) tells the tawdry tale in crisp journalist’s prose. But the result leaves us feeling used, and certainly no better for having met either figure.

Pub Date: May 24, 2005

ISBN: 0-06-058047-X

Page Count: 320

Publisher: HarperCollins

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2005

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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GENGHIS KHAN AND THE MAKING OF THE MODERN WORLD

A horde-pleaser, well-written and full of surprises.

“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”

No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.

A horde-pleaser, well-written and full of surprises.

Pub Date: March 2, 2004

ISBN: 0-609-61062-7

Page Count: 320

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2003

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