East meets West—or, more precisely, North meets South—and all hell breaks loose in new arrival Foley's raucous, vicious, and utterly brilliant satire of culture, religion, and literary ambitions in modern Ireland. Whatever else may be observed of the Isle of Saints and Scholars, it's certainly a small world. All the more so if you're young, bright, and living in Belfast, like Kyle Magee, the Protestant ``Zorba of the North,'' who carries his opinions on life and art into every room he enters. Supremely self-confident and ruinously charming, he sounds clever enough to know what he's talking about but is too offhand in his pronouncements to let anyone know for sure. Naturally, he attracts a following, and our narrator becomes Magee's chief acolyte in short order. He sees in Magee a way out of the Ulster provincialism that, for Catholic and Protestant alike, keeps life nasty, brutish, and if not short at least dull. So he and Magee set out to convert the natives to the saving grace of Art, broadcasting a radio program called ``Born- again Ulster,'' setting up theater troupes, and writing novels of modern Irish life. Along the way, they fall into the hands of the Herron sisters, upwardly mobile scions of a matriarchal clan of Catholic shopkeepers, and each man takes his pick: Magee marrying Liz Herron, and the narrator settling for her older sister Reba. The friendship is stretched by Magee's egomania and the narrator's jealousy, however, and even as brothers-in-law the two find less and less to hold them together once they've emigrated to Dublin and London. The time it takes the narrator to realize what manner of man Magee truly is works out to be nearly the whole of the story, but he does manage in time. A superb exposition of the dynamics of private lives played out endlessly in public—and written with an easy wit and casual sophistication that have all but vanished from the contemporary scene.
Pub Date: April 2, 1997
ISBN: 0-85640-576-0
Page Count: 342
Publisher: Dufour
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1997
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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