by Michael Foster ; illustrated by Gloria Miller Allen ‧ RELEASE DATE: Oct. 31, 2018
A well-illustrated story that makes a few missteps but features an appealing heroine.
In this middle-grade fantasy novel, a girl steps through a magic barrier into a new realm, where she tries to help creatures suffering from a drought.
Eleven-year-old Alicia loves nothing more than the summers she spends with her parents at their cabin near Cascade, Idaho. The lake is a great place for swimming, snorkeling, and observing nature—something that Alicia, who loves earth science, especially enjoys. One day, she and her father row across the lake, but their day is cut short by rain. Just as they’re about to leave, Alicia spies something strange out of the corner of her eye. When she stops trying to focus on it, “suddenly, startlingly, everything pop[s] into clarity” for the girl, who steps forward and finds herself in a new and different reality. As her father searches for her frantically back home, Alicia befriends talking animals in the new world—called the “Wild Side” by its inhabitants. Mickey, a squirrel, explains that the Wild Side is suffering from “The Drying,” a drought caused by Gran’Tree, a tree so enormous that his branches block the sun and his roots suck up all the water. With the help of her new friends, Alicia goes on a dangerous journey to Gran’Tree, hoping that she can convince him to open the barrier, send her home, and end the Drying. Illustrator Allen’s (Four Decades of Paintings & Poems, 2014, etc.) lovely, sensitive black-and-white images accompany the text well. Foster structures his debut novel along the archetypal lines of The Wizard of Oz, which also features a human girl, unusual companions, and a risky journey to ask favors of an all-powerful being. This novel lacks Oz author L. Frank Baum’s loony inventiveness, however. Still, Alicia does come across as an intelligent, science-minded heroine for the modern era, and the story has a fresh ecological focus. Some perplexing authorial choices work against this theme, however; foxes, who are necessary predators, are cast as “evil,” for example, and a tree—often an emblem of ecological balance—hardly seems appropriate as a selfish, resource-stealing villain.
A well-illustrated story that makes a few missteps but features an appealing heroine.Pub Date: Oct. 31, 2018
ISBN: 978-0-9965683-8-8
Page Count: 188
Publisher: Z Girls Press
Review Posted Online: Dec. 19, 2018
Review Program: Kirkus Indie
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by Michael Foster ; illustrated by Gloria Miller Allen
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by Michael Foster and Barbara Foster
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by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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by Harper Lee ; edited by Casey Cep
BOOK REVIEW
by Harper Lee
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Paulo Coelho & translated by Margaret Jull Costa ‧ RELEASE DATE: July 1, 1993
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
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by Paulo Coelho ; illustrated by Christoph Niemann ; translated by Margaret Jull Costa
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by Paulo Coelho ; translated by Eric M.B. Becker
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by Paulo Coelho ; translated by Zoë Perry
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