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SPANISH IS THE LANGUAGE OF MY FAMILY

Tenderly tremendous.

To prepare for the school Spelling Bee en Español, a young Latine boy gets a much-needed boost from his cherished Abuela.

Manolo seems prepared for the bee, as there are many words he can already spell: “F-a-m-i-l-i-a.” “J-u-n-t-o-s.” “C-o-r-a-z-ó-n.” Still, the lista de palabras includes words that Manolo doesn’t know how to spell, so Abuela helps him. During their lessons together, she shares stories from her childhood, when the “rule at school was ‘English only.’ ” Speaking Spanish—even in secret on the playground—resulted in punishments for the students, including being sent home, paddled, or having their mouth washed out with soap. Spurred by Abuela’s stories of the recent hurtful past, Manolo throws himself into practice even when frustrations set in. “Tengo fuerza.” On the day of the spelling bee, Manolo stands tall on stage thanks to Abuela’s strength. A measured reckoning with an oft-overlooked period in U.S. history, Genhart and Parra’s poignant collaboration explores the echoes of generational trauma and the power of societal change and hope. An author’s note explains that Genhart drew from the 1930s through the 1960s, including his mother’s experiences in Southern California. The closeness between Manolo and Abuela adds a layer of warmth to this poignant tale, making this spelling bee journey an eventual resonant triumph. The splendid, textured acrylic-based artwork is rich and vibrant; an especially inspired spread sees a determined Manolo scaling the word practico. (This book was reviewed digitally.)

Tenderly tremendous. (references, Spanish alphabet) (Picture book. 4-8)

Pub Date: July 11, 2023

ISBN: 9780823450046

Page Count: 40

Publisher: Neal Porter/Holiday House

Review Posted Online: April 24, 2023

Kirkus Reviews Issue: May 15, 2023

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GOOD NIGHT THOUGHTS

Relatable guidance for nocturnal worriers.

Actor and author Greenfield’s latest picture book follows a child kept awake by anxieties.

The pajama-clad narrator huddles in bed among the blue shadows of a bedroom at night. “Every time I close my eyes, I’m afraid of all the scary stuff I see.” Bright, candy-hued clouds of cartoon images surround the child, lively, disruptive depictions of the what-ifs and exaggerated disasters that crowd out sleep: war (we see the world pop “into a piece of popcorn”), kidnapping (pirates carry away the child’s teddy bear), falling “up” into the sun, tarantulas in the toilet, and a menacing-looking dentist. These outsize insomnia inducers may help readers put their own unvoiced concerns into perspective; after all, what frightens one person might seem silly but understandable to another. Our narrator tries to replace the unsettling thoughts with happy ones—hugging a baby panda, being serenaded by a choir of doughnuts, and “all the people who love me holding hands and wearing every piece of clothing that they own.” But sleep is still elusive. Finally, remembering that there’s a difference between reality and an overactive imagination, the child relaxes a bit: “Right now, everything is okay. And so am I.” Reassuring, though not exactly sedate, this tale will spark daytime discussions about how difficult it can be to quiet unsettling thoughts. The child has dark hair and blue-tinged skin, reflecting the darkness of the bedroom.

Relatable guidance for nocturnal worriers. (Picture book. 4-7)

Pub Date: Sept. 3, 2024

ISBN: 9780593697894

Page Count: 32

Publisher: Putnam

Review Posted Online: May 31, 2024

Kirkus Reviews Issue: July 1, 2024

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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