Engaging wordplay makes a serious point about inclusion.
Feathered friends are flustered when flamingos move into the neighborhood.
Flamboyance describes a group of flamingos, just like a waddle of penguins or a brood of chickens. But these flamingos aren’t just flamboyantly bright pink—they also wear tiaras and feather boas, and one sports a rainbow mohawk. The longtime residents are all atwitter, often alliteratively. A “gaggle of geese gathered to gab. ‘Flamingos! Really? In our backyard?’ ” Every bird family seems to have an opinion, and it’s a negative one. A squadron of pelicans creates a daytime neighborhood watch. Nightingales take the late shift. Finally, all the birds flock together to march on the flamingos’ new home. Luckily, when the flamingos open their door, wrens chime, “Stay calm,” and the wisdom of owls has brought “a heaping plate of algae for the new neighbors.” The flamingos then reveal a surprise—a “welcome to our home” party—with all their new neighbors invited. For all the colorful illustrations, fun collective nouns (a list is in the backmatter), and clever wordplay and alliteration, this book has a serious message about “inclusion, exclusion, and the stereotypes, fears, and assumptions that can lead to discrimination,” as the author’s note explains. Dialogue in the concluding scene is unsubtle (“Differences don’t have to be scary”; “What were we getting so worked up about?”), but this story is a welcome springboard for age-appropriate discussions of assumptions, stereotypes, and inclusion. (This book was reviewed digitally.)
Engaging wordplay makes a serious point about inclusion. (Picture book. 5-8)Pub Date: Oct. 19, 2021
ISBN: 978-1-4338-3278-9
Page Count: 32
Publisher: Magination/American Psychological Association
Review Posted Online: June 28, 2021
Kirkus Reviews Issue: July 15, 2021
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BOOK REVIEW
BOOK REVIEW
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child...
Imani endures the insults heaped upon her by the other village children, but she never gives up her dreams.
The Masai girl is tiny compared to the other children, but she is full of imagination and perseverance. Luckily, she has a mother who believes in her and tells her stories that will fuel that imagination. Mama tells her about the moon goddess, Olapa, who wins over the sun god. She tells Imani about Anansi, the trickster spider who vanquishes a larger snake. (Troublingly, the fact that Anansi is a West African figure, not of the Masai, goes unaddressed in both text and author’s note.) Inspired, the tiny girl tries to find new ways to achieve her dream: to touch the moon. One day, after crashing to the ground yet again when her leafy wings fail, she is ready to forget her hopes. That night, she witnesses the adumu, the special warriors’ jumping dance. Imani wakes the next morning, determined to jump to the moon. After jumping all day, she reaches the moon, meets Olapa and receives a special present from the goddess, a small moon rock. Now she becomes the storyteller when she relates her adventure to Mama. The watercolor-and-graphite illustrations have been enhanced digitally, and the night scenes of storytelling and fantasy with their glowing stars and moons have a more powerful impact than the daytime scenes, with their blander colors.
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child to be admired. (Picture book. 5-8)Pub Date: Oct. 14, 2014
ISBN: 978-1-934133-57-6
Page Count: 32
Publisher: Mackinac Island Press
Review Posted Online: July 28, 2014
Kirkus Reviews Issue: Aug. 15, 2014
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...
Reinvention is the name of the game for two blobs of clay.
A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)Pub Date: June 20, 2017
ISBN: 978-0-316-30311-8
Page Count: 40
Publisher: Little, Brown
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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