A few too many teeth-gnashing flashbacks, but on the whole a funny, winning portrait of the artist as a frustrated,...
Comic, allegorical first novel in which a bumbling contender learns that even if golf is a poor substitute for life, life has its moments.
After four years of progressively worsening scores, Brian Schwan realizes that his dream of being a professional golfer has sunk into the sand trap of no return. Finishing shamefully behind his rival, the dashing South African autodidactic ornithologist Jim “Bird” Soulsby, Schwan retires to a seedy motel room, where he doesn’t even succeed in drinking himself into oblivion. Instead, he lets fly some rants about how he has failed everyone: Dad, who lived his dreams of golfing glory through his son; Mom, who didn’t complain when Brian ducked an art history major at college to try his luck on the pro circuit; and Rosa, Brian’s adoring, born-again wife, who has tirelessly supported him but now wants to have a child. When he runs into a pretty TV newswoman who wants to interview Bird Soulsby, Schwan gives into “bad craziness” and pretends to be his rival, then arranges a liaison with the reporter that promises to put him in her bed. But who should invade the post-game flirtation at a picturesque Charleston, South Carolina, tavern but Soulsby himself . . . pretending to be Schwan. While Schwan fumbles and mopes, Soulsby dazzles the reporter with his wit and erudition, leaving Schwan to ponder if, by pretending to be him and walking off with his date, Soulsby might be demonstrating that pretension, like faith, can loosen up a stiff swing. By chance, Soulsby and Schwan are again paired off the next day, with Schwan’s father watching on the sidelines, for a game in which Schwan discovers why golf attracts so many people who believe in miracles.
A few too many teeth-gnashing flashbacks, but on the whole a funny, winning portrait of the artist as a frustrated, helpless, but not completely hopeless young duffer.Pub Date: Feb. 1, 2010
ISBN: 1-55970-536-1
Page Count: 272
Publisher: Arcade
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2000
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
This book sings with the terrible silence of dead civilizations in which once there was valor.
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
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