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AFTER JAMES

A novel that seems to aspire to a consciously literary emulation of William Gibson but struggles with upsetting passivity.

Helm (Cities of Refuge, 2010, etc.) creates a claustrophobic atmosphere of surreal unease and technology-fueled horror.

The three parts of Helm’s novel each present a distinct storyline related tenuously, perhaps, to its neighbors, but they share a vivid tone and an unsettlingly malleable reality. This sense of a world in which science and technology have delivered on our most paranoid imaginings, but in a way that makes life more susceptible to strangeness instead of less, has the odd effect of sealing the narrative tightly inside each protagonist’s head. Ali is a scientist who has retreated to an isolated house to work up the courage to blow the whistle on the flawed “creativity drug” that she helped design. James is a failed poet who finds himself hired by a mysterious man and sent to Rome to investigate the meaning of a series of poems posted anonymously on the internet. Celia is a researcher for a drug company who discovers that her scientist father has undergone a conversion to a vague spiritualism at the hands of a manipulative conceptual artist. The details of their stories seem like material for a science fiction thriller, but each character is mired in existential confusions brought on by personal trauma, and the reader is trapped alongside them, in prose that is sometimes excessively reflective and gestural. Despite having murders, geopolitical strife, hacktivists, and secretive anarchist groups, the novel muffles any suspense and momentum. The characters think so hard about their feelings that they don’t feel them with any conviction, though Helm often strikes upon perfectly selected details of human interaction.

A novel that seems to aspire to a consciously literary emulation of William Gibson but struggles with upsetting passivity.

Pub Date: Sept. 13, 2016

ISBN: 978-1-941040-41-6

Page Count: 400

Publisher: Tin House

Review Posted Online: June 21, 2016

Kirkus Reviews Issue: July 1, 2016

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THE ONE

Will simultaneously intrigue both romantics and skeptics. The science might oversimplify, but it’s gripping enough to read...

Marrs’ debut novel traces the stories of five people who find their soul mates—or do they?

Imagine if you could submit to a simple DNA test and then receive your Match in your email. Not just an online date who might be geographically compatible, but a true and unique genetically destined partner. While the potential long-term benefits may seem to outweigh the negative consequences, the system is far from infallible; as any science-fiction fan could tell you, if it sounds too good to be true, there’s usually a catastrophe lurking at the other end. Marrs’ novel traces five individuals who meet their Matches under varying circumstances and with widely conflicting outcomes. During the course of their romantic adventures (and misadventures), the entire DNA matching algorithm will prove to be susceptible to hacking, also proving that (gasp!) just because something may be driven by science doesn’t mean that it’s free from the world of human error. The philosophy posed by the novel speaks not just to the power of love and the laws of attraction, but also serves as a commentary on today’s world of genetic exploration. Do these breakthroughs simplify our lives, or do they make us lazy, replacing the idea of “destiny” or “fate” with “science” as a larger power that we don’t need to question? These ideas keep the novel moving along and create a deeper level of interest, since most of the narrative threads are fairly predictable. The two exceptions are the psychopathic serial killer who meets his Match and begins to lose interest in killing and the heterosexual man matched with another man, both of whom must then redefine sexuality and love, commitment and family.

Will simultaneously intrigue both romantics and skeptics. The science might oversimplify, but it’s gripping enough to read all in one sitting.

Pub Date: Feb. 20, 2018

ISBN: 978-1-335-00510-6

Page Count: 416

Publisher: Hanover Square Press

Review Posted Online: Dec. 6, 2017

Kirkus Reviews Issue: Jan. 1, 2018

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THE MEMORY POLICE

A quiet tale that considers the way small, human connections can disrupt the callous powers of authority.

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A novelist tries to adapt to her ever changing reality as her world slowly disappears.

Renowned Japanese author Ogawa (Revenge, 2013, etc.) opens her latest novel with what at first sounds like a sinister fairy tale told by a nameless mother to a nameless daughter: “Long ago, before you were born, there were many more things here…transparent things, fragrant things…fluttery ones, bright ones….It’s a shame that the people who live here haven’t been able to hold such marvelous things in their hearts and minds, but that’s just the way it is on this island.” But rather than a twisted bedtime story, this depiction captures the realities of life on the narrator's unnamed island. The small population awakens some mornings with all knowledge of objects as mundane as stamps, valuable as emeralds, omnipresent as birds, or delightful as roses missing from their minds. They then proceed to discard all physical traces of the idea that has disappeared—often burning the lifeless ones and releasing the natural ones to the elements. The authoritarian Memory Police oversee this process of loss and elimination. Viewing “anything that fails to vanish when they say it should [as] inconceivable,” they drop into homes for inspections, seizing objects and rounding up anyone who refuses—or is simply unable—to follow the rules. Although, at the outset, the plot feels quite Orwellian, Ogawa employs a quiet, poetic prose to capture the diverse (and often unexpected) emotions of the people left behind rather than of those tormented and imprisoned by brutal authorities. Small acts of rebellion—as modest as a birthday party—do not come out of a commitment to a greater cause but instead originate from her characters’ kinship with one another. Technical details about the disappearances remain intentionally vague. The author instead stays close to her protagonist’s emotions and the disorientation she and her neighbors struggle with each day. Passages from the narrator’s developing novel also offer fascinating glimpses into the way the changing world affects her unconscious mind.

A quiet tale that considers the way small, human connections can disrupt the callous powers of authority.

Pub Date: Aug. 13, 2019

ISBN: 978-1-101-87060-0

Page Count: 288

Publisher: Pantheon

Review Posted Online: May 12, 2019

Kirkus Reviews Issue: June 1, 2019

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