A vividly drawn period piece about violence and race in America.
Two kids living in the Bronx grow up in an era dominated by drugs, racial tension, and the Vietnam War in this novel.
Jaylen Jackson and his brother, Jamani, are swept out of the Jim Crow South by their mother, Tyra, after their father disappears. Jimmy O’Farrell’s father, Matthew, moves his family to New York City from Ireland, hoping to become part of America’s immigration legacy. Both Jaylen and Jimmy find a home in the Bronx, yet outside their passion for basketball, they have remarkably different experiences there and only cross paths on “The Courts.” Jimmy feels comfortable in the heavily Irish community, but after a violent gang attack takes a friend’s life, he is ill at ease around the Black and Hispanic families in New York’s melting pot. Jaylen, meanwhile, discovers that while the “Whites Only” signs of Mississippi are long gone, his skin color still matters, and he eventually leaves college to join the Marines, an institution that promises a life beyond such prejudice. But this is the 1960s, and the Vietnam War rages, and even for an accomplished soldier, there is no real equality to be unearthed in the Asian jungles. What he does find, surprisingly, is Jimmy, now a Marine himself and happy to see a familiar face from the Bronx. When both are wounded, a chance encounter on the USS Sanctuary gives Jaylen a blunt moment to peel back the racial facade that separates them, a revelation that will shape the two men’s decisions after returning home. Coffino employs an understandable language in the novel’s action scenes, particularly on the basketball court and with other team sports. Even Jimmy and his family’s listening to the 1960s World Series is exciting and high stakes. New York comes alive in the book, a place of great history and infinite possibility, with people of all races and creeds constantly in both cooperation and conflict. Vietnam is deftly captured as a carnal, violent place, and the only setting that comes up short in the story is its portrayal of Jim Crow Mississippi, its communities, perhaps rightfully, taking a back seat to its vile politics. Dreams, folklore, and Bible verses foreshadow events and outline characters’ anxieties, connecting them beyond race and through a shared culture and experiences.
A vividly drawn period piece about violence and race in America.Pub Date: July 6, 2021
ISBN: 978-1-64663-350-0
Page Count: 366
Publisher: Koehler Books
Review Posted Online: Sept. 16, 2021
Review Program: Kirkus Indie
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
A classic Green portrait of young love…but here the fault is in our social media.
A relationship between young screen actors is magical, fraught, and relentlessly public in Green’s first novel for adults.
“Every movie romance needs an Obstacle, a reason the characters don’t naturally fall into each other.” In the off-screen romance between actors Juniper Castillo and Kai Laramie, the obstacle is a moving target. Juniper notices early on that as flirty and forward as Kai is, he seems “closed off to a romantic connection”; that turns out to be the tip of a very problematic iceberg. The two meet in the lobby of a Pittsburgh hotel where they will be spending the evening with Matthew Malone, the megastar playing Andy Warhol in a movie they’re about to begin shooting, Andy Warhol Never Gets Old. Kai has been cast as Andy’s intern, Juniper as a journalist who gets in over her head. This is Juniper’s first adult role after a long run as a Nickelodeon child star, and newcomer Kai’s first role of any kind. Green evokes in compelling detail all the phases and aspects of the film project, from the table read to the screening of the rough cut, from the social media fanfare to the public premiere and the press junket, moving back and forth between Juniper’s and Kai’s first-person perspectives. In a meeting with one of the ubiquitous publicists, Kai learns that somehow “the high school stuff” he never talks about—despite their growing inseparability and seemingly profound connection, he hasn’t even brought himself to share it with Juniper—has surfaced. Details emerge slowly, then blow up in the media; the book’s third act focuses on the destructive potential of celebrity culture in a climate that makes Warhol’s milieu look innocent by comparison. After a long break from writing fiction—his last two books were Everything Is Tuberculosis (2025) and The Anthropocene Reviewed (2021)—Green fills this novel with carefully observed details of Hollywood culture and characters, including running jokes about vegan cuisine, media training, and the way Kai’s agent constantly and boorishly consults his young female assistant on points of political correctness. Can he talk about “hot girls”? Can he quote T.S. Eliot? OK to say “dog vomit”?
A classic Green portrait of young love…but here the fault is in our social media.Pub Date: Sept. 22, 2026
ISBN: 9780525426073
Page Count: 304
Publisher: Dutton
Review Posted Online: Sept. 4, 2026
Kirkus Reviews Issue: Oct. 15, 2026
BOOK REVIEW
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