Fast-paced, outrageous, and on the money: first-novelist Nelson’s mockery of media mendacity is as biting as La Dolce Vita...
Deft, jolly send-up of publishing by actor and former TV writer/host Nelson (Mike Nelson’s Mind Over Matters, 2002), this about a hack who learns, after 40 years of failure, the meaning of concept.
Pontius (“Ponty”) Feeb has published 18 books, though you won’t find them in Barnes and Noble. That’s because Ponty wrote exclusively for Jack Pine Publications, a Minneapolis house that specialized in titles like Old Von Steuben Had a Farm: The German-American Settlement of the Midwest and The Journal of Plasma Beam Annealing. But obscurity is fine for Ponty, who lives alone and takes real pride in his work—although when Jack Pine is sold to a media conglomerate in Denver, Ponty is dropped faster than a midlist novel. Suddenly destitute, he takes a job flipping patties at Medieval Burger while trying to market a horror manuscript about a giant rat loosed on a Minnesota town in the 19th century. No one is interested in publishing a thriller by an overweight 60-year-old, so Ponty asks hunky young Jack Rybeck (an aspiring actor who works at Medieval Burger) to be his “front.” Jack agrees and manages to snag a contract, but he mistakenly tells the publishers that Death Rat is a true story. Not a problem if the book had flopped, but with Jack gobbling up national publicity (“the perfect author for the nouveau-pop age,” says a reviewer), Death Rat soars to the top and brings the media out in force. To escape exposure, Ponty and Jack convince the townsfolk of Holey, Minnesota, to go along with Ponty’s fiction and make up ancestral tales of rat terror for the reporters. Meanwhile, egomaniacal author Gus Bromstad has gotten wind of rumors that Death Rat is going to beat him out for the Dwee Award, and he’s hired a shadowy group of Danish hit men to rub out Jack.
Fast-paced, outrageous, and on the money: first-novelist Nelson’s mockery of media mendacity is as biting as La Dolce Vita or Network—and funnier.Pub Date: April 1, 2003
ISBN: 0-06-093472-7
Page Count: 336
Publisher: HarperEntertainment
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 2003
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
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