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THE MERCHANT MURDERERS

The comical hero provides an amusing instrument for exploring the mores and history of the period.

A cowardly assassin repeatedly escapes death as he tries to return to London.

Arriving in Exeter in August 1556, Jack Blackjack immediately stumbles over a dead body. Jack had left London and his employment as Lady Elizabeth Tudor’s hapless hired killer hoping to escape the dangers of political skulduggery unleashed by the reign of the Catholic Queen Mary as she turns the country away from her father’s religion. As he looks for a horse to take him to London, he’s horrified to find himself caught up in the murder of a priest of the new religion while vendettas unspool between several merchants who’ve recently lost valuable ships. He falls in with the son of one of those merchants and his friend, who introduce him to noisome taverns and a higher-class house of prostitution. When his purse is snatched by a young girl, his better nature leads him to buy her a meal. His efforts to obtain a horse become more desperate as he becomes unwillingly entangled in the affairs of the town’s ruling class. Following a suggestion, he attempts to return to London by ship only to find that he’s being sent to France. After the ship is attacked by pirates, he barely escapes back to Exeter, where he’s once more embroiled in trouble from which he can extricate himself only by solving the murder of the priest.

The comical hero provides an amusing instrument for exploring the mores and history of the period.

Pub Date: Oct. 4, 2022

ISBN: 978-0-7278-5092-8

Page Count: 240

Publisher: Severn House

Review Posted Online: Aug. 12, 2022

Kirkus Reviews Issue: Sept. 1, 2022

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THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

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Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

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DAUGHTERS OF THE SUN AND MOON

A flawed but necessary read about a dark moment in American history.

See’s latest novel exposes a forgotten, ugly chapter in LA history—the brutal 1871 massacre of 18 Chinese immigrant men and boys.

In July 1870, two Chinese women arrive in Lo Sang, a dusty frontier town known by its white and Hispanic residents as Los Angeles. Seventeen-year-old Dove, the bound-footed daughter of an imperial scholar fallen on hard times, is the new second wife of Old Man Sing, a merchant in the tiny Chinese community on Calle de los Negros. Barefoot, dark-skinned Petal, sold into servitude to a Gold Mountain tong by her desperately poor peasant father, is destined for the Midnight Garden, a bawdy house owned by Headman Sam. Witnessing the newcomers’ arrival is Moon, the wife of a successful doctor of traditional Chinese medicine. Unlike Petal and Dove, she speaks English, and she assists her husband in his clinic. The three alternating narratives—Petal tells her story as she lives it in 1870; an elderly Moon recalls past events from 1926; and Dove’s tale is recounted in a distant third-person voice—create a portrait of a tiny immigrant community surrounded by a hostile culture and ruled by rival tongs. It’s a shootout between these disputing factions that sets off the horrifying events of Oct. 24, 1871, when a mob of about 500 white and Latine residents torture and lynch their Chinese victims. Although meticulously researched, See’s novel feels curiously flat. Despite continual descriptions of gunfights breaking out, Los Angeles never fully comes to life as a rough-and-tumble Wild West town. While the author’s female protagonists, inspired by historical figures, are well drawn (kudos to the feisty and determined Petal), most of her male characters—Chinese, Anglo, and Mexican—are as flat and indistinguishable as cardboard. Another drawback is See’s stilted and stylized dialogue, typical of historical fiction but wearying to the modern reader.

A flawed but necessary read about a dark moment in American history.

Pub Date: June 9, 2026

ISBN: 9781982117054

Page Count: 384

Publisher: Scribner

Review Posted Online: May 4, 2026

Kirkus Reviews Issue: June 1, 2026

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