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AMERICAN CULTURE, AMERICAN TASTES

SOCIAL CHANGE AND THE 20TH CENTURY

Pulitzer-winning historian Kammen (Cornell; In the Past Lane, 1997; People of Paradox, 1972; etc.) offers a thoughtful essay on the evolution of leisure in America from the late 19th century to today. In their pursuit of leisure, Kammen estimates, Americans now spend over $1 trillion a year—“far more than they spend on health care, on cars and trucks, or on housing.” Kammen proceeds to trace how Americans have spent their leisure time and money, and how critics and other authorities have perceived American culture since the emergence of popular culture in the late 19th century. Distinguishing popular culture (participatory or interactive activities on smaller scales, such as nightclubs or amusement parks) from mass culture (passive activities on a large or societal scale, such as television), Kammen divides America’s modern cultural history into three phases: the heyday of popular culture from 1885 to 1935; the period of the emergence of “proto-mass” culture from 1935 to 1965; and the growth of mass culture from the mid-—60s through the present. Within these time frames, Kammen explores such themes as the growing democratization of culture as Americans found themselves with unprecedented time and opportunity for leisure, and the decline of ideals of “high culture”; the growth and transformation of popular culture by advertising and other techniques of mass consumerism; the blurring of taste levels during the heyday of commercialized popular culture between what was formerly known as “highbrow” and “middlebrow” culture, and the decline of the authority of critics and the rise of such authorities as opinion polls, television ratings, and the corporate sponsor. The consequence of these phenomena, Kammen writes, is “an increase in cultural populism,” a decline in cultural elitism, and the growing cultural importance of powerful economic forces. A stimulating inquiry into the conflicting ways in which Americans have understood their dynamic and influential culture, more valuable for the paradigms and issues it raises than for the answers it provides.

Pub Date: Aug. 24, 1999

ISBN: 0-679-42740-6

Page Count: 352

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1999

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PERMISSION TO FEEL

UNLOCKING THE POWER OF EMOTIONS TO HELP OUR KIDS, OURSELVES, AND OUR SOCIETY THRIVE

An intriguing approach to identifying and relating to one’s emotions.

An analysis of our emotions and the skills required to understand them.

We all have emotions, but how many of us have the vocabulary to accurately describe our experiences or to understand how our emotions affect the way we act? In this guide to help readers with their emotions, Brackett, the founding director of Yale University’s Center for Emotional Intelligence, presents a five-step method he calls R.U.L.E.R.: We need to recognize our emotions, understand what has caused them, be able to label them with precise terms and descriptions, know how to safely and effectively express them, and be able to regulate them in productive ways. The author walks readers through each step and provides an intriguing tool to use to help identify a specific emotion. Brackett introduces a four-square grid called a Mood Meter, which allows one to define where an emotion falls based on pleasantness and energy. He also uses four colors for each quadrant: yellow for high pleasantness and high energy, red for low pleasantness and high energy, green for high pleasantness and low energy, and blue for low pleasantness and low energy. The idea is to identify where an emotion lies in this grid in order to put the R.U.L.E.R. method to good use. The author’s research is wide-ranging, and his interweaving of his personal story with the data helps make the book less academic and more accessible to general readers. It’s particularly useful for parents and teachers who want to help children learn to handle difficult emotions so that they can thrive rather than be overwhelmed by them. The author’s system will also find use in the workplace. “Emotions are the most powerful force inside the workplace—as they are in every human endeavor,” writes Brackett. “They influence everything from leadership effectiveness to building and maintaining complex relationships, from innovation to customer relations.”

An intriguing approach to identifying and relating to one’s emotions.

Pub Date: Sept. 3, 2019

ISBN: 978-1-250-21284-9

Page Count: 320

Publisher: Celadon Books

Review Posted Online: June 22, 2019

Kirkus Reviews Issue: July 15, 2019

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GRATITUDE

If that promise of clarity is what awaits us all, then death doesn’t seem so awful, and that is a great gift from Sacks. A...

Valediction from the late neurologist and writer Sacks (On the Move: A Life, 2015, etc.).

In this set of four short essays, much-forwarded opinion pieces from the New York Times, the author ponders illness, specifically the metastatic cancer that spread from eye to liver and in doing so foreclosed any possibility of treatment. His brief reflections on that unfortunate development give way to, yes, gratitude as he examines the good things that he has experienced over what, in the end, turned out to be a rather long life after all, lasting 82 years. To be sure, Sacks has regrets about leaving the world, not least of them not being around to see “a thousand…breakthroughs in the physical and biological sciences,” as well as the night sky sprinkled with stars and the yellow legal pads on which he worked sprinkled with words. Sacks works a few familiar tropes and elaborates others. Charmingly, he reflects on his habit since childhood of associating each year of his life with the element of corresponding atomic weight on the periodic table; given polonium’s “intense, murderous radioactivity,” then perhaps 84 isn’t all that it’s cut out to be. There are some glaring repetitions here, unfortunate given the intense brevity of this book, such as his twice citing Nathaniel Hawthorne’s call to revel in “intercourse with the world”—no, not that kind. Yet his thoughts overall—while not as soul-stirringly inspirational as the similar reflections of Randy Pausch or as bent on chasing down the story as Christopher Hitchens’ last book—are shaped into an austere beauty, as when Sacks writes of being able in his final moments to “see my life as from a great altitude, as a sort of landscape, and with a deepening sense of the connection of all its parts.”

If that promise of clarity is what awaits us all, then death doesn’t seem so awful, and that is a great gift from Sacks. A fitting, lovely farewell.

Pub Date: Nov. 24, 2015

ISBN: 978-0-451-49293-7

Page Count: 64

Publisher: Knopf

Review Posted Online: Oct. 31, 2015

Kirkus Reviews Issue: Nov. 15, 2015

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