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THE LAST RESORT

A quirky, fast-paced whodunit with a provocative take on the near future.

An offbeat police team probes a series of high-profile murders.

In the 2030s, Washington, D.C., police detective Jen B. Lu catches the weird case of celebrity lawyer Patty Garcia, killed on the Viridian Green golf course, presumably by a flying ball. Jen’s sidekick and amanuensis is in her head, a synth implant named Chandler who calls Jen “boss.” Chandler crisply tracks specific dates and times and often presents data in detail-heavy paragraphs. Providing welcome contrast is Jen’s banter with her significant other, Zach, whose new job as a climate activist has put a strain on their relationship. Jen’s gut instinct that Garcia's death was no accident meets so much resistance from her superiors that she begins to doubt herself. But a second victim tips the doubters in her direction, and an investigation begins in earnest. Given Chandler’s expertise, forensics plays a big role in the probe. Garcia’s high-profile career made her a compelling target. Her championing of climate activists attracted enemies among big oil companies and angered right-wing militias as well. Could one of these groups include the culprit(s)? A continuing subplot concerns squad-room tension between Jen and her colleagues Les and Christopher, husbands as well as co-workers, that dates back to obliquely recalled incidents from The Last Exit (2021). Kaufman has a gift for snappy dialogue and relies on it heavily in Jen’s interviews with persons of interest and squabbles with Zach. A third murder accelerates the inquiry to a solution.

A quirky, fast-paced whodunit with a provocative take on the near future.

Pub Date: Jan. 10, 2023

ISBN: 978-1-63910-207-5

Page Count: 261

Publisher: Crooked Lane

Review Posted Online: Oct. 25, 2022

Kirkus Reviews Issue: Nov. 15, 2022

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PROPHET SONG

Captivating, frightening, and a singular achievement.

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As Ireland devolves into a brutal police state, one woman tries to preserve her family in this stark fable.

For Eilish Stack, a molecular biologist living with her husband and four children in Dublin, life changes all at once and then slowly worsens beyond imagining. Two men appear at her door one night, agents of the new secret police, seeking her husband, Larry, a union official. Soon he is detained under the Emergency Powers Act recently pushed through by the new ruling party, and she cannot contact him. Eilish sees things shifting at work to those backing the ruling party. The state takes control of the press, the judiciary. Her oldest son receives a summons to military duty for the regime, and she tries to send him to Northern Ireland. He elects to join the rebel forces and soon she cannot contact him, either. His name and address appear in a newspaper ad listing people dodging military service. Eilish is coping with her father’s growing dementia, her teenage daughter’s depression, the vandalizing of her car and house. Then war comes to Dublin as the rebel forces close in on the city. Offered a chance to flee the country by her sister in Canada, Eilish can’t abandon hope for her husband’s and son’s returns. Lynch makes every step of this near-future nightmare as plausible as it is horrific by tightly focusing on Eilish, a smart, concerned woman facing terrible choices and losses. An exceptionally gifted writer, Lynch brings a compelling lyricism to her fears and despair while he marshals the details marking the collapse of democracy and the norms of daily life. His tonal control, psychological acuity, empathy, and bleakness recall Cormac McCarthy’s The Road (2006). And Eilish, his strong, resourceful, complete heroine, recalls the title character of Lynch’s excellent Irish-famine novel, Grace (2017).

Captivating, frightening, and a singular achievement.

Pub Date: Dec. 5, 2023

ISBN: 9780802163011

Page Count: 320

Publisher: Atlantic Monthly

Review Posted Online: Oct. 7, 2023

Kirkus Reviews Issue: Nov. 1, 2023

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HIS & HERS

Feeney improves on her debut with a taut suspense plot, many gleeful twists and turns, and suspects galore.

A news presenter and a police detective are brought together by murders in the British village where they both grew up.

There is precious little that can be revealed about the plot of Feeney’s third novel without spoilers, as the author has woven surprises and plot twists and suspicious linkages into nearly every one of her brief, first-person chapters, written in three alternating narrative voices. “Hers” is Anna Andrews, a wannabe anchor on a BBC news program whose lucky break comes when the body of one of her school friends is found brutally murdered in their hometown, a woodsy little spot called Blackdown. “His” is DCI Jack Harper, head of the Major Crime Team in Blackdown, where major crimes were rather few until now. The third is unnamed but clearly the killer’s. Happily, none of the three is an unreliable narrator—good thing because plenty of people are sick of that—but none is exactly 100% forthcoming either. Which only makes sense, because you can't have reveals without secrets. In a small town like Blackdown, everybody knows everybody, so it’s not too surprising that Anna and Jack have a tragic past or that each has connections to all the victims and suspects while not being totally free from suspicion themselves. Who is that sneaky third narrator? On the way to figuring that out, expect high school mean girls, teen lesbian action, mutilated corpses, nasty things happening to kittens, and—as seems de rigueur in British thrillers—plenty of drinking and wisecracks, sometimes in tandem. “Sadly, my sister has the same taste in wine as she does in men; too cheap, too young, and headache-inducing.”

Feeney improves on her debut with a taut suspense plot, many gleeful twists and turns, and suspects galore.

Pub Date: July 28, 2020

ISBN: 978-1-250-26608-8

Page Count: 320

Publisher: Flatiron Books

Review Posted Online: May 3, 2020

Kirkus Reviews Issue: May 15, 2020

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