by Paul Lynch ‧ RELEASE DATE: July 11, 2017
This is a writer who wrenches beauty even from the horror that makes a starving girl think her “blood is trickling over the...
A gifted Irish author offers another take on his country’s Great Famine through the eyes of a teenage girl as she travels through a land wracked by want.
When a blight hits the potato harvest of 1845, a pregnant widow with four children seeks to spare her 14-year-old daughter, Grace, from hunger, maybe, but certainly from the appetites of her own insatiable lover. She cuts the girl’s hair, dresses her as a boy, and sends her off to seek work. Grace is soon joined by her irrepressible brother Colly, 12, who gives her a few lessons in maleness. Their time together is cut short when he is swept away in a teeming river as they try to salvage a drowned sheep. She lucks into work helping to herd cows, but betrayal and murder await down the drovers’ path. She joins a road crew, but her first period surprises and unmasks her, stirring unwanted interest. A fellow worker saves her from would-be rapists and travels with her on adventures that seem to cover about half of Ireland by foot. Their unmeasurable route is through deepening despair and the hell beyond mere hunger—“past want to a point that is longing narrowed down to the forgetting of all else”—and the descent into crime and then a blackness: indeed, four Sterne-like blank black pages to signify perhaps more than pen can write, even one as eloquent as Lynch’s (The Black Snow, 2015, etc.). Grace walks under “a sky of old cloth and the sun stained upon it.” Elsewhere, “the air is stitched with insects.” And sometimes Lynch seems to move beyond normal language: “A soul being loosened from a whin is shaped like a shout” (whin is gorse and the context is dead souls at dusk).
This is a writer who wrenches beauty even from the horror that makes a starving girl think her “blood is trickling over the rocks of my bones.”Pub Date: July 11, 2017
ISBN: 978-0-316-31630-9
Page Count: 368
Publisher: Little, Brown
Review Posted Online: April 17, 2017
Kirkus Reviews Issue: May 1, 2017
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by Georgia Hunter ‧ RELEASE DATE: Feb. 14, 2017
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.
Hunter’s debut novel tracks the experiences of her family members during the Holocaust.
Sol and Nechuma Kurc, wealthy, cultured Jews in Radom, Poland, are successful shop owners; they and their grown children live a comfortable lifestyle. But that lifestyle is no protection against the onslaught of the Holocaust, which eventually scatters the members of the Kurc family among several continents. Genek, the oldest son, is exiled with his wife to a Siberian gulag. Halina, youngest of all the children, works to protect her family alongside her resistance-fighter husband. Addy, middle child, a composer and engineer before the war breaks out, leaves Europe on one of the last passenger ships, ending up thousands of miles away. Then, too, there are Mila and Felicia, Jakob and Bella, each with their own share of struggles—pain endured, horrors witnessed. Hunter conducted extensive research after learning that her grandfather (Addy in the book) survived the Holocaust. The research shows: her novel is thorough and precise in its details. It’s less precise in its language, however, which frequently relies on cliché. “You’ll get only one shot at this,” Halina thinks, enacting a plan to save her husband. “Don’t botch it.” Later, Genek, confronting a routine bit of paperwork, must decide whether or not to hide his Jewishness. “That form is a deal breaker,” he tells himself. “It’s life and death.” And: “They are low, it seems, on good fortune. And something tells him they’ll need it.” Worse than these stale phrases, though, are the moments when Hunter’s writing is entirely inadequate for the subject matter at hand. Genek, describing the gulag, calls the nearest town “a total shitscape.” This is a low point for Hunter’s writing; elsewhere in the novel, it’s stronger. Still, the characters remain flat and unknowable, while the novel itself is predictable. At this point, more than half a century’s worth of fiction and film has been inspired by the Holocaust—a weighty and imposing tradition. Hunter, it seems, hasn’t been able to break free from her dependence on it.
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.Pub Date: Feb. 14, 2017
ISBN: 978-0-399-56308-9
Page Count: 416
Publisher: Viking
Review Posted Online: Nov. 21, 2016
Kirkus Reviews Issue: Dec. 1, 2016
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BOOK TO SCREEN
by Heather Morris ‧ RELEASE DATE: Sept. 4, 2018
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...
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An unlikely love story set amid the horrors of a Nazi death camp.
Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.Pub Date: Sept. 4, 2018
ISBN: 978-0-06-279715-5
Page Count: 272
Publisher: Harper/HarperCollins
Review Posted Online: July 16, 2018
Kirkus Reviews Issue: Aug. 1, 2018
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