Next book

LAST WORDS

In its use of cave settings, Koryta’s latest thriller is ingenious and gripping, but those scenes can't make up for patches...

A decade ago, a 17-year-old girl was found dead, beaten and handcuffed, after disappearing inside an Indiana tourist cave. Private investigator Mark Novak's career, and well-being, may depend on his ability to solve this cold case. 

Novak works for a pro bono Florida firm that specializes in exonerating death-row inmates. They've been asked to look into this small-town killing by the man many people think committed the crime, Ridley Barnes, an oddball caver who may have motives besides clearing his name in contacting them. He found young Sarah Martin after disappearing inside the cave himself for an extended time and emerging with her dead body while in a hypothermic, manic state. Novak's bosses have assigned him this back-burner case not out of any real interest in it but to give him a chance to regain his bearings. He has been acting erratically since the murder of his wife (and co-worker) two years ago. Novak thinks he'll be in and out of town in a day or two, but the more he uncovers about the townspeople—and the more he's subjected to scare tactics and violence—the deeper into the case he digs. The best and most suspenseful parts of the book by far are the ones set underground, particularly the scene in which bad guys drug and strip Novak and deposit him inside the cave. Koryta evokes the pitch-dark, damp, bone-cold setting so well, it's easy to share the claustrophobia and eerie visions the character experiences. Unfortunately, the plot feels forced; lacking in standout characters, it doesn't create anywhere near the sustained tension of Koryta's terrific previous efforts, Those Who Wish Me Dead (2014) and The Prophet (2012).

In its use of cave settings, Koryta’s latest thriller is ingenious and gripping, but those scenes can't make up for patches of plodding storytelling. 

Pub Date: Aug. 18, 2015

ISBN: 978-0-316-12263-4

Page Count: 448

Publisher: Little, Brown

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: June 15, 2015

Awards & Accolades

Likes

  • Readers Vote
  • 608


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Awards & Accolades

Likes

  • Readers Vote
  • 608


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

Next book

DISCLAIMER

An addictive psychological thriller.

When a mysterious novel appears on her bedside table, a successful documentary filmmaker finds herself face to face with a secret that threatens to unravel life as she knows it.

Catherine Ravenscroft has built a dream life, or close to it: the devoted husband, the house in London, the award-winning career as a documentary filmmaker. And though she’s never quite bonded with her 25-year-old son the way she’d hoped, he’s doing fine—there are worse things than being an electronics salesman. But when she stumbles across a sinister novel called The Perfect Stranger—no one’s quite sure how it came into the house—Catherine sees herself in its pages, living out scenes from her past she’d hoped to forget. It’s a threat—but from whom? And why now, 20 years after the fact? Meanwhile, Stephen Brigstocke, a retired teacher, widowed and in pain, is desperate to exact revenge on Catherine and make her pay for what happened all those years ago. The story is told in alternating chapters, Catherine's in the third-person and Stephen's in the first, as the two orbit each other, predator and prey, and the novel moves between the past and the present to paint a portrait of two troubled families with trauma bubbling under the surface. As their lives become increasingly entangled, Stephen’s obsession grows, Catherine’s world crumbles, and it becomes clear that—in true thriller form—everything may not be as it seems. But how much destruction must be wrought before the truth comes out? And when it does, will there be anything left to salvage? While the long buildup to the big reveal begins to drag, Knight’s elegant plot and compelling (if not unexpected) characters keep the heart of the novel beating even when the pacing falters. Atmospheric and twisting and ripe for TV adaptation, this debut novel never strays far from convention, but that doesn’t make it any less of a page-turner.

An addictive psychological thriller.

Pub Date: May 19, 2015

ISBN: 978-0-06-236225-4

Page Count: 352

Publisher: Harper/HarperCollins

Review Posted Online: March 1, 2015

Kirkus Reviews Issue: March 15, 2015

Close Quickview