Not one of Koryta's best but still a freshly imagined thriller.
Having faked her death and fled her family a decade ago to protect them from killers, Nina Morgan—renamed Leah Trenton—is newly targeted by two assassins in the Maine North Woods.
The assassins have been dispatched by the Blackwater-like outfit for whom Nina was employed as a pilot and against whom she testified after witnessing a grisly murder. In her absence, before he died in a car accident, her husband instructed their daughter, Hailey, 13, and son, Nick, 11, to contact their "Aunt Leah" if something happened to him. Having never been visited by her, they're understandably upset when she suddenly appears at their home in Louisville and moves them to a Wi-Fi–less cabin in Maine. Soon enough, the killers track her down, leaving victims in their wake. Also arriving on the scene is sardonic young sociopath Dax Blackwell, part of a family of hit men featured in Koryta's novels. Asked by a family friend to protect Nina, Dax seizes the opportunity to even a score with the wealthy head of the black ops firm. He also likes the idea of making the suffering mom's life more miserable. All leads to a cleverly staged triangular encounter on and along the Allagash River. As always, Koryta uses outdoor settings masterfully. The usually persuasive author is less successful in overcoming some head-scratching plot contrivances and oddities. But the book is loaded with nail-biting suspense and parent-child emotion. And though there's more of Dax's corrosive wit than the story can bear ("You never stop talking, do you?" one character asks him), the book hits the ground running and never slows down.
Not one of Koryta's best but still a freshly imagined thriller.Pub Date: Feb. 9, 2021
ISBN: 978-0-316-53593-9
Page Count: 384
Publisher: Little, Brown
Review Posted Online: Dec. 14, 2020
Kirkus Reviews Issue: Jan. 1, 2021
A grim yet gleefully gratifying tale of lost innocence and found family.
A woman fears she made a fatal mistake by taking in a blood-soaked tween during a storm.
High winds and torrential rain are forecast for “The Middle of Nowhere, New Hampshire,” making Casey question the structural integrity of her ramshackle rental cabin. Still, she’s loath to seek shelter with her lecherous landlord or her paternalistic neighbor, so instead she just crosses her fingers, gathers some candles, and hopes for the best. Casey is cooking dinner when she notices a light in her shed. She grabs her gun and investigates, only to find a rail-thin girl hiding in the corner under a blanket. She’s clutching a knife with “Eleanor” written on the handle in black marker, and though her clothes are bloody, she appears uninjured. The weather is rapidly worsening, so before she can second-guess herself, former Boston-area teacher Casey invites the girl—whom she judges to be 12 or 13—inside to eat and get warm. A wary but starving Eleanor accepts in exchange for Casey promising not to call the police—a deal Casey comes to regret after the phones go down, the power goes out, and her hostile, sullen guest drops something that’s a big surprise. Meanwhile, in interspersed chapters labeled “Before,” middle-schooler Ella befriends fellow outcast Anton, who helps her endure life in Medford, Massachusetts, with her abusive, neglectful hoarder of a mother. As per her usual, McFadden lulls readers using a seemingly straightforward thriller setup before launching headlong into a series of progressively seismic (and increasingly bonkers) plot twists. The visceral first-person, present-tense narrative alternates perspectives, fostering tension and immediacy while establishing character and engendering empathy. Ella and Anton’s relationship particularly shines, its heartrending authenticity counterbalancing some of the story’s soapier turns.
A grim yet gleefully gratifying tale of lost innocence and found family.Pub Date: Oct. 7, 2025
ISBN: 9781464260919
Page Count: 288
Publisher: Poisoned Pen
Review Posted Online: Aug. 2, 2025
Kirkus Reviews Issue: Sept. 1, 2025
SEEN & HEARD
SEEN & HEARD
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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