A departure from Kortya’s Lincoln Perry p.i. series (The Silent Hour, 2009, etc.) that’s every bit as well-written.
A gothic horror story set in—wait for it—rural Indiana.
Filmmaker Eric Shaw, reduced to preparing video montages for memorial services since the failure of his Los Angeles career caused him to retreat to Chicago and leave his marriage to Claire, is approached by wealthy Alyssa Bradford, who offers him $15,000 to re-create the life of her father-in-law, Campbell, 95 and near death in a nursing home. The only clue to his past is a green glass bottle, still stoppered, that he’s kept in his safe—a bottle of something called Pluto Water from some hidden spring between the twin towns of French Lick and West Baden, Ind. Quicker than Stephen King conjures goosebumps, Shaw finds himself hearing train whistles, having visions of an old gent in a bowler hat and suffering world-class headaches. Kellen Cage, a black student working on a doctoral thesis concerning French Lick and West Baden, offers some help. Meanwhile, the last Bradford, ne’er-do-well Josiah, hopes that the video may bring him money. The weather turns ominous. Shaw’s headaches worsen. His scary visions continue. Would a sip of that reputed elixir, Pluto Water, help? As the visions intensify, Josiah turns more menacing, killing with no provocation a private eye sent from Chicago to stop Shaw. Old Anne, a weather spotter, senses that the wind is up. Shaw becomes obsessed with finding out more about Pluto Water. But four tornados will hit the county within an hour, the Lost River will rise and a major conflagration will almost annihilate Claire before the Campbell past is bottled up tight once more.
A departure from Kortya’s Lincoln Perry p.i. series (The Silent Hour, 2009, etc.) that’s every bit as well-written.Pub Date: June 9, 2010
ISBN: 978-0-316-05363-1
Page Count: 512
Publisher: Little, Brown
Review Posted Online: Dec. 30, 2010
Kirkus Reviews Issue: April 1, 2010
Michaels’s fan base isn’t likely to be increased by this improbable distaff pastiche of Mission: Impossible.
The Sisterhood takes on yet another evildoer in their endless quest to right wrongs against unjustly maligned women.
Architect Isabelle Flanders’s life was destroyed when her coldly ambitious employee Rosemary Hershey framed her for vehicular manslaughter and stole her ideas and her fiancé Bobby Harcourt. Now the Sisterhood (The Jury, 2005, etc.) has devised a diabolical plan to help her get revenge and recover her reputation. Wealthy Sisterhood stalwart Myra Rutledge installs Isabelle in a luxurious office and buys a Virginia property to set up a bogus contest in which local architects will be invited to design a sumptuous horse farm, planning to make Isabelle and Rosemary the only finalists. Meanwhile, Bobby, long fed up with Rosemary’s greed, sues for divorce, planning to start his own architectural firm. Rosemary, who’s receiving anonymous letters reminding her that it was she and not innocent Isabelle who ran down and killed a family, is sinking into a funk as the Sisterhood increases the pressure. A rainy night in a cemetery, bogus snakes and a broken rope finally get Rosemary to confess and leave the Sisterhood ready to plot their next adventure.
Michaels’s fan base isn’t likely to be increased by this improbable distaff pastiche of Mission: Impossible.Pub Date: April 1, 2006
ISBN: 0-7278-6349-5
Page Count: 192
Publisher: Severn House
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: March 1, 2006
It’s difficult to drum up sympathy for this missing child, swaddled as she is in such a dull and harmless plot.
A questionable decision leaves a couple in a situation no parent wants to face: it’s the middle of the night and their baby is gone.
Anne and Marco Conti seem like the perfect upstate New York family. He runs a successful software development company while she stays home with 6-month-old Cora; maybe soon she’ll go back to work at the art gallery she loved. Yet looks are deceiving: his company is floundering, and she’s struggling with postpartum depression. A nice night out at a neighbor’s birthday party might be just the thing everyone needs. But when the babysitter cancels, Anne and Marco decide to leave Cora alone, taking the baby monitor with them and checking on her every half hour. This ends predictably badly. When they return, drunk, after 1:00 a.m., Cora is gone. What ensues is a paint-by-numbers police investigation, led by the personality-free Detective Rasbach, who seems to cycle through potential theories as to Cora’s whereabouts the same way Lapena must have in her early plotting stages, except it all ended up on the page. When it’s clear, or at least partially clear, what happened to the child, any remaining tension hisses out like a pricked balloon. Anne’s wealthy mother and stepfather seem a too-obvious plot device, and they are, while her issues with the very real problem of postpartum depression are merely glossed over or trotted out during faux-fiery monologues.
It’s difficult to drum up sympathy for this missing child, swaddled as she is in such a dull and harmless plot.Pub Date: Aug. 23, 2016
ISBN: 978-0-7352-2108-6
Page Count: 320
Publisher: Viking
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
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