A tragic death and a slew of suspects ignite this incendiary tale.
In Fairhill, Vermont, a community where nothing seems to happen, a violent death exposes the cruelty hiding beneath the town’s supposedly placid surface.
Diana Brewer’s body is found in a farmer’s field, and what initially seems to be a crime novel walking a well-worn path of plot points and tropes instead travels in a new direction. Lapena rolls out a story unique and timely in its telling. No one can imagine who could have killed Diana, a high school senior, and suspicion immediately turns to her possessive boyfriend, Cameron Farrell. He might have been the last person to see her alive, but the police have additional suspects. Any of them may or may not be murderers, but when their interactions with Diana are exposed, it becomes clear none of them is innocent. The throughline in this astutely observed story is that as much as young women want to take charge of their own lives, there are men who want to control and abuse them. Lapena makes sure Diana’s spirit is profoundly present, first as she’s looking down from above on her dead body, then as she observes her mother’s grief, the interrogation of suspects, and the pain her friends suffer as a result of her death. Equally fascinating is the portrayal of the fiancee of one of the suspects, who’s torn between his insistence that he’s not guilty and the strong possibility that he’s not the person she’d planned to marry. As much a commentary on how women’s concerns and accusations are often dismissed as it is an intense crime story, Lapena’s novel excavates the ways so-called responsible adults don’t do enough—a crime in itself—to keep young women like Diana safe. “How many ways,” Diana asks after her death, “can a girl be assaulted?” The novel’s emotional heft will linger with readers.
A tragic death and a slew of suspects ignite this incendiary tale.Pub Date: July 30, 2024
ISBN: 9780593489963
Page Count: 320
Publisher: Pamela Dorman/Viking
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
Recommended reading for every paranoid suburbanite who’s considering a move to the city, or to the Arctic wilds.
Character assassination reigns supreme, if not uncontested, in a Long Island suburb.
April Masterson loves her husband, corporate attorney Elliott; their 7-year-old, Bobby; and her YouTube channel, “April’s Sweet Secrets.” What she doesn’t love is whoever’s texting her warnings about how Bobby isn’t really in their backyard while she’s busy filming her videos or withering critiques of her baking show or veiled accusations about her past and threats about her present. Her best friend, former prosecutor Julie Bressler, may be bossy and opinionated, but surely she’d never turn on April this way. Who else might know enough to send April goodies like a picture of her kissing Mark Tanner, Bobby’s soccer coach? Though April struggles to get Elliot to take her ordeal seriously, even when she shows up at his office for a lunch date, he’s protected by his receptionist, Brianna Anderson, whose attachment to her boss goes far beyond loyalty. Then Julie turns on her; Maria Cooper, her friendly new next-door neighbor, turns on her; and in the most mind-boggling scene, Doris Kirkland, April’s mother, whose dementia has brought her to a nursing home, turns on her. McFadden releases an escalating series of toxins so deftly into the suburban atmosphere that it’s practically an anticlimax when someone gets killed and April instantly becomes the prime suspect. But that’s only a setup for the tale’s boldest move: switching its narrator from April to a fair-weather friend who frames the whole nightmare in dramatically different terms. As a special gift to her savviest fans, the author throws in an even more jolting epilogue that’s as hard to forget as it is to believe.
Recommended reading for every paranoid suburbanite who’s considering a move to the city, or to the Arctic wilds.Pub Date: March 3, 2026
ISBN: 9781464249600
Page Count: 368
Publisher: Poisoned Pen
Review Posted Online: Dec. 6, 2025
Kirkus Reviews Issue: Jan. 15, 2026
A dark and twisty look at just how far one woman is willing to go to find inspiration.
A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.
Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”
A dark and twisty look at just how far one woman is willing to go to find inspiration.Pub Date: Jan. 13, 2026
ISBN: 9781662539374
Page Count: -
Publisher: Montlake
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
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