A moving work of wit and pathos.
Decades after losing a legal battle, a Vietnam War veteran recounts his side of the story in Kun’s novel.
Jimmy Nail believes that his college roommate, Peter John “P.J.” Darbin, stole and published his novel, which went on to become a seminal work that’s the darling of critics, teachers, and young adults. This first-person retelling follows Nail’s fragmented thoughts as they slide from the past to the present and back again. What begins as a darkly comedic tirade against Darbin and the legal system turns into a disjointed unraveling of his life story, which includes a traumatizing tour of duty in Vietnam, the collapse of his marriage and family, and his young adulthood in Baltimore. As Nail’s early years take center stage, the book settles into a reliable groove as the protagonist presents sections of his own short novel and intersperses them with recollections of events from his own life. At the heart of all the stories is Nail’s relationship with his neighbor Poppy Fowler—in Nail’s novel, she’s called “Poppy Fahrenberg,” and in Darbin’s, “Poppy Fahrenheit”—who likes the awkward, allergy-ridden Nail (in both novels, he’s “Allie”). As the novel rolls on, readers get the feeling that Nail’s accusation is not so fantastical. Kun, the author of Eat Wheaties! (2020), effectively manages to keep all the parts of his protagonist together, maintaining a clear throughline in spite of Nail’s inability to remember events with any sense of order. The author also plays around with tone, including mimicry of J.D. Salinger’s Holden Caulfield as well as a watered-down impression of Kurt Vonnegut’s work. The imitations are a far cry from the original, though, and Kun does best when he allows the main character to speak in his own voice. The ending will certainly leave many readers shocked, but it elevates the work and gives it unexpected heft.
A moving work of wit and pathos.Pub Date: May 5, 2021
ISBN: 978-1-95-015452-4
Page Count: 348
Publisher: The Sager Group LLC
Review Posted Online: July 31, 2021
Kirkus Reviews Issue: Sept. 15, 2021
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Vivid characters are set adrift in a “ripped from the headlines” tableau that complicates the story, and the storytelling.
A diverting midlife story plucks at the secrets good people carry to the grave.
As a reader, Artie Dam—the protagonist of Strout’s 11th book—encounters Olive Kitteridge, “a crotchety old woman from Maine” and Strout’s most celebrated fictional character. Artie picked up the Pulitzer-anointed book centered on Olive after his wife, Evie, loved it, “oh, years ago now.” Strout is having a bit of fun—that “oh” is a trademark—even though she marbles her latest novel with marital infidelity, political anxiety, and suicide. Indeed, it is the fact that Olive’s father died by suicide that Artie, 57 and gaining a paunch, recalls now in his own dismalness. As the story begins, he is pondering the most discreet way to die, despite having been Massachusetts’ Teacher of the Year five years earlier. Artie seems the inverse of irascible Olive: beloved by his students; by his grown son, Rob; and by the English teacher, Anne, who quietly pines for him. But like Olive, Artie has distressing impulses—he steals a comb, then some expensive shirts. Much of the text bobs along on Artie’s stocktaking memories, chunked out in short, occasionally abrupt paragraphs. Strout’s storytelling is thinning a bit, like middle-aged hair. Then, midbook, she clobbers Artie with a brutal existential shock. In its wake, Strout surfs the nature of loneliness, corrosive secrets, and the convulsions of the 2024 presidential election. Hers is an unremittingly Blue State book, although Artie has one friend who, unbeknownst to him, supported Donald Trump. On the day after the election, Artie somberly concludes that his “country was committing suicide.” This is the first novel in which Strout entirely vacates Maine for another setting. But she sticks with Artie and, on the final pages, delivers him a satisfying finale.
Vivid characters are set adrift in a “ripped from the headlines” tableau that complicates the story, and the storytelling.Pub Date: May 5, 2026
ISBN: 9798217154746
Page Count: 224
Publisher: Random House
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
SEEN & HEARD
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
