A provocative, sometimes controversial manifesto against “neoliberal globalism.”
An energetic case for rethinking America’s economy in favor of working people.
As Lind shows, collective bargaining is the “central issue” at the heart of meaningful economic reform to reduce income inequality. There are several parts to that concept, including advancing union membership—unions are important counterbalances to the owners and rulers—and enshrining a series of measures to limit the ability of employers to offshore American jobs or bring in immigrant labor to perform it. Striking a populist tone, Lind urges that the immigration system must be remade to effectively bar the arrival of “unskilled” labor and sharply reduce the number of supposedly “skilled” immigrants, who are still poorly paid. “If H-1Bs are geniuses with unique and valuable skills that both American workers and immigrants with green cards lack,” writes the author, “then why are tech firms and their contractors so careful to pay most of their H-1Bs the very lowest wages possible under U.S. law?” A touch less stridently, Lind questions the “credential arms race” whereby companies prefer college degrees for jobs that don’t really require them, a shoot-self-in-the-foot strategy that keeps workers off the market while chasing degrees, supporting a corrupt academic establishment while at the same time suppressing the birth rate. The entire system, Lind argues, is predicated on a welfare state that “privatizes the benefits of cheap labor and socializes the costs.” Employers are able to keep wages low because that welfare state is willing to subsidize workers with food stamps and the like, passing the cost from the corporate bottom line to American taxpayers. Along the way, Lind proposes remaking the funding of Medicare and mandating a living wage. Though it will be a slog to get any of this done, Lind closes by insisting that it “is worth a try.”
A provocative, sometimes controversial manifesto against “neoliberal globalism.”Pub Date: May 2, 2023
ISBN: 9780593421253
Page Count: 240
Publisher: Portfolio
Review Posted Online: Feb. 21, 2023
Kirkus Reviews Issue: March 15, 2023
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
An impressive, nuanced work of scholarship.
The Nobel laureate’s singular aesthetics.
Award-winning novelist, essayist, and literary scholar Serpell offers a compelling elucidation of Toni Morrison’s notably challenging fiction, criticism, plays, and poetry. “There are passages in Morrison’s works,” she has found, “that no reader I’ve ever met understands on the first go.” The source of Morrison’s “famed difficulty,” as Serpell sees it, was not “her intersectional identity, her prickly personality, or her contrarian politics,” but rather her complicated and sophisticated understanding of Black aesthetics. Serpell’s subtle textual analysis of 11 novels, “Recitatif”—Morrison’s only published short story—and several essays, plays, and poems is enriched by her prodigious literary background and insights she has gleaned from archival sources: letters, diary entries, notes, and manuscripts. Morrison, she asserts, “refused for her work to be reduced to her race and her gender, or to be forced to fit the expectations foisted upon her as a result.” Tar Baby (1981), Morrison’s fourth novel, seems to Serpell the first time in the writer’s career that she “directly addressed the white/black dichotomy” with characters who “are avatars for race.” Serpell gives extensive attention to “Recitatif,” a story in which “all racial codes” are vanished, yet one in which “racial identity is crucial” to its characters. The story emerges as “a kind of asymmetrical, contrapuntal, alternative dialogue” between its two female protagonists, “between an individual voice and the instruments of the social world, or between the reader’s experience and the story’s unresolved chords—or codes.” Celebrating Morrison’s “masterful difficulty and superb wit,” “her inscrutable yet perfect metaphors,” and “her unaccountable rushes of imagination,” Serpell affords ample evidence that she was “a writer whose deliberate difficulty—personal, political, and literary—defied classification…and made for brilliance.”
An impressive, nuanced work of scholarship.Pub Date: Feb. 17, 2026
ISBN: 9780593732915
Page Count: 416
Publisher: Hogarth
Review Posted Online: Sept. 12, 2025
Kirkus Reviews Issue: Oct. 15, 2025
PERSPECTIVES
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