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GETTING LIFE

AN INNOCENT MAN'S 25-YEAR JOURNEY FROM PRISON TO PEACE

An intimate, gripping portrayal of a grievous miscarriage of justice.

A man falsely convicted of murdering his wife shares his story.

Already the subject of several articles, TV segments and a documentary, Morton chronicles his remarkable 25-year ordeal in a sweeping autobiography. The author’s family relocated from California to Texas when Morton was a teenager in the early 1980s, and while in college, he fell in love with and married Christine Kirkpatrick, a kindhearted, gregarious girl with whom he would conceive a son. The day after his 32nd birthday in 1986, the author arrived home to discover his wife bludgeoned to death. Compounding his grief was an investigator who soon positioned Morton as a suspect, even though his brother-in-law found some “overlooked” bloodstained evidence and his son provided an eyewitness confession about seeing the real murderer. The author ably demonstrates the heinous result of a bungled investigation by police detectives desperate to collar a perpetrator and aggressively angling to tie Morton to his wife’s grisly murder. With few leads to go on, Morton became the lead suspect, and his personal depiction of the prosecution and ensuing laborious trial proceedings is riveting. More than a month after the crime, he was arrested, convicted by jury trial and sentenced to serve a life sentence in prison. As unsettling as his jail time was, Morton’s chronicle of his time there is a vicarious penitentiary tour for inquisitive readers. The author kept a diary during this time and remained surprisingly free of anger and acrimony, one day sure he would exonerate himself. His plight for freedom was bolstered by DNA evidence presented by a pair of humanitarian attorneys, including one from the Innocence Project. The conviction of both a misguided prosecutor who suppressed evidence and the real murderer, Mark Alan Norwood, allowed Morton, now almost 60, the freedom to remarry and live as a liberated man.

An intimate, gripping portrayal of a grievous miscarriage of justice.

Pub Date: July 8, 2014

ISBN: 978-1-4767-5682-0

Page Count: 256

Publisher: Simon & Schuster

Review Posted Online: May 20, 2014

Kirkus Reviews Issue: June 1, 2014

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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