A book—and a life—unlike any other in rock.
This selectively revealing, insightful memoir casts the cerebral Monkee as a spiritual seeker and self-deprecating visionary.
Popular culture has barely revealed the tip of the iceberg that is Nesmith. The author has a droll, ironic sense of humor, which has helped him connect with like-minded spirits and which readers should find engaging. He’s also an eccentric who describes the aftermath of Monkeedom as “the detritus of a collective dream we were all waking from, each in our own room, and each afflicted with our own case of Celebrity Psychosis informing us about the furniture in that room.” This “Celebrity Psychosis” ultimately figures more heavily in the book than the Monkees do, a demon that haunted him for decades after that 1960s fluke of fame. As much as he resented those who treated him as a puppet or a “pariah…pummeled by opprobrium and ridicule and reviled among my peers,” he eventually came to consider his Monkees experience “a gift, an odd gift to be sure but with a deep message for me that I am still parsing and for which I am never less than thankful.” As for the rest of his fascinating life, Nesmith was raised in Dallas by a single mother, a devout Christian Scientist who became wealthy as the inventor of Liquid Paper. If he didn’t invent country rock, he was there at the beginning, and he did invent the music video and had the vision for what would become MTV. More recently, the author has been involved with virtual reality and received a patent “for the embedding of real time video into a virtual environment.” Along the way, he was influenced by both hippie mystics and a Christian Science teacher, and he bonded with Jack Nicholson, Timothy Leary, Douglas Adams, and John Lennon. Nesmith doesn’t even bother to mention that Linda Ronstadt enjoyed her breakout hit with his “Different Drum” or that the Monkees have experienced a series of comeback reunions (with and without him).
A book—and a life—unlike any other in rock.Pub Date: April 18, 2017
ISBN: 978-1-101-90750-4
Page Count: 320
Publisher: Crown Archetype
Review Posted Online: Jan. 30, 2017
Kirkus Reviews Issue: Feb. 15, 2017
PROFILES
A love story, in other words, bittersweet like all the best.
As much about Everywoman as one particular woman, French author Ernaux's autobiographical novel laconically describes the cruel realities of old age for a woman once vibrant and independent.
The narrator, a middle-aged writer, decides that the only way she can accept her mother's death is to begin "to write about my mother. She is the only woman who really meant something to me and she had been suffering from senile dementia for two years...I would also like to capture the real woman, the woman who existed independently from me, born on the outskirts of a small Normandy town, and who died in the geriatric ward of a hospital in the suburbs of Paris.'' And she proceeds to tell the story of this woman—who "preferred giving to everybody rather than taking from them,'' fiercely ambitious and anxious to better herself and her daughter—for whom she worked long hours in the small café and store the family owned. There are the inevitable differences and disputes as the daughter, better educated, rebels against the mother, but the mother makes "the greatest sacrifice of all, which was to part with me.'' The two women never entirely lose contact, however, as the daughter marries, the father dies, and both women move. Proud and self-sufficient, the mother lives alone, but then she has an accident, develops Alzheimer's, and must move to a hospital. A year after her death, the daughter, still mourning, observes, "I shall never hear the sound of her voice again—the last bond between me and the world I come from has been severed.'' Never sentimental and always restrained: a deeply affecting account of mothers and daughters, youth and age, and dreams and reality.
A love story, in other words, bittersweet like all the best.Pub Date: May 12, 1991
ISBN: 0-941423-51-4
Page Count: 112
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1991
A unique, inspiring story by a member of the Greatest Generation.
A firsthand account of how the Navajo language was used to help defeat the Japanese in World War II.
At the age of 17, Nez (an English name assigned to him in kindergarten) volunteered for the Marines just months after the bombing of Pearl Harbor. Growing up in a traditional Navajo community, he became fluent in English, his second language, in government-run boarding schools. The author writes that he wanted to serve his country and explore “the possibilities and opportunities offered out there in the larger world.” Because he was bilingual, he was one of the original 29 “code talkers” selected to develop a secret, unbreakable code based on the Navajo language, which was to be used for battlefield military communications on the Pacific front. Because the Navajo language is tonal and unwritten, it is extremely difficult for a non-native speaker to learn. The code created an alphabet based on English words such as ant for “A,” which were then translated into its Navajo equivalent. On the battlefield, Navajo code talkers would use voice transmissions over the radio, spoken in Navajo to convey secret information. Nez writes movingly about the hard-fought battles waged by the Marines to recapture Guadalcanal, Iwo Jima and others, in which he and his fellow code talkers played a crucial role. He situates his wartime experiences in the context of his life before the war, growing up on a sheep farm, and after when he worked for the VA and raised a family in New Mexico. Although he had hoped to make his family proud of his wartime role, until 1968 the code was classified and he was sworn to silence. He sums up his life “as better than he could ever have expected,” and looks back with pride on the part he played in “a new, triumphant oral and written [Navajo] tradition,” his culture's contribution to victory.
A unique, inspiring story by a member of the Greatest Generation.Pub Date: Sept. 6, 2011
ISBN: 978-0-425-24423-4
Page Count: 320
Publisher: Dutton Caliber
Review Posted Online: July 5, 2011
Kirkus Reviews Issue: July 15, 2011
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