An affectionate and complex portrait of London that will help rekindle an interest in her life and work.
A biography of the American actress and pop singer.
Julie London (1926-2000) may not be a household name, but during the 1950s and ’60s, she was a popular singer known for her sultry, “spectral” voice, as pop-culture historian Owen describes it in this absorbing biography. However, as the author shows, she had never intended to be a singer. In fact, London begrudgingly took on the role after her future husband, Bobby Troup, convinced her to give it a shot when her acting career had begun to sputter. As a singer, London established herself as an unlikely talent, and her status as one of the age’s pre-eminent sex symbols was cemented by her throaty vocals and provocative, sensual album covers. Born Nancy Gayle Peck in Stockton, California, London began her career in 1943 when she was discovered in a department store in Los Angeles. She was cast mostly in small parts in various B-movies, never really breaking through to leading-lady status. It wasn’t until the dissolution of her first marriage to the domineering and aloof Jack Webb and London’s eventual romantic involvement with Troup, a respected musician, that she began to pursue her musical career. London would go on to release numerous albums of standards and covers, including her breakthrough debut “Julie Is Her Name,” which featured her best known song, “Cry Me a River.” But for an early crossover star who managed to remain in the public eye for more than two decades, London was surprisingly cagey about her celebrity and career. As a reluctant singer, she never truly believed in her ability, and her lack of confidence and self-esteem plagued her throughout her career. Returning to acting later in life as star of the TV show Emergency!, London’s consistent and long-running career disproves her own doubts.
An affectionate and complex portrait of London that will help rekindle an interest in her life and work.Pub Date: July 1, 2017
ISBN: 978-1-61373-857-3
Page Count: 336
Publisher: Chicago Review Press
Review Posted Online: May 14, 2017
Kirkus Reviews Issue: June 1, 2017
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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