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THE LIFE OF JULIE LONDON

An affectionate and complex portrait of London that will help rekindle an interest in her life and work.

A biography of the American actress and pop singer.

Julie London (1926-2000) may not be a household name, but during the 1950s and ’60s, she was a popular singer known for her sultry, “spectral” voice, as pop-culture historian Owen describes it in this absorbing biography. However, as the author shows, she had never intended to be a singer. In fact, London begrudgingly took on the role after her future husband, Bobby Troup, convinced her to give it a shot when her acting career had begun to sputter. As a singer, London established herself as an unlikely talent, and her status as one of the age’s pre-eminent sex symbols was cemented by her throaty vocals and provocative, sensual album covers. Born Nancy Gayle Peck in Stockton, California, London began her career in 1943 when she was discovered in a department store in Los Angeles. She was cast mostly in small parts in various B-movies, never really breaking through to leading-lady status. It wasn’t until the dissolution of her first marriage to the domineering and aloof Jack Webb and London’s eventual romantic involvement with Troup, a respected musician, that she began to pursue her musical career. London would go on to release numerous albums of standards and covers, including her breakthrough debut “Julie Is Her Name,” which featured her best known song, “Cry Me a River.” But for an early crossover star who managed to remain in the public eye for more than two decades, London was surprisingly cagey about her celebrity and career. As a reluctant singer, she never truly believed in her ability, and her lack of confidence and self-esteem plagued her throughout her career. Returning to acting later in life as star of the TV show Emergency!, London’s consistent and long-running career disproves her own doubts.

An affectionate and complex portrait of London that will help rekindle an interest in her life and work.

Pub Date: July 1, 2017

ISBN: 978-1-61373-857-3

Page Count: 336

Publisher: Chicago Review Press

Review Posted Online: May 14, 2017

Kirkus Reviews Issue: June 1, 2017

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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  • Pulitzer Prize Finalist

A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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THE PURSUIT OF HAPPYNESS

FROM MEAN STREETS TO WALL STREET

Well-told and admonitory.

Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.

Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.

Well-told and admonitory.

Pub Date: June 1, 2006

ISBN: 0-06-074486-3

Page Count: 320

Publisher: Amistad/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2006

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