Another full-throttle installment that shows that this crime series has no intention of slowing down.
In King’s (The Murder Run, 2019) seventh Travelers novel, married con artists help rob an island casino.
The two main characters adopt different names in every town they visit. Here, in Madisonville, he’s Paul Longmont and she’s Jessie Taggert. Jessie has spent the last two months “worming her way” into wealthy Hugo Lansing’s life. Paul, meanwhile, poses as someone in need of $500,000 in bearer bonds, which Lansing can provide—for a $100,000 fee. After the wily couple swipes the bonds and sells them back to Lansing for 10 cents on the dollar, Alexander Koenig, the man who got Paul into the con game, contacts them. He asks the pair to join a crew that’s going to hit the Solomon Island casino, off the coast of Bathsheba City. The plan, as Koenig tells it, is to rob the room safes as a distraction while going for a larger prize: more than $1 million of mobster Jeffrey Smithson’s laundered cash. Two noteworthy pieces of information: There are no guns allowed on the island, and the date of the planned heist is Smithson’s 70th birthday, so he’ll be surrounded by immediate family. While posing as casino workers Max and Kelly Jo Barlow, can the Travelers outmaneuver other greedy cons and learn the suspicious Koenig’s real mission? King dials back his protagonists’ personal drama, which will offer new readers a clean introduction to the series. As always, the initial con is just complex enough to maintain interest, with repercussions that may or may not bleed into the rest of the story. King resists the temptation to delve too far into Koenig’s backstory, although he establishes that Paul has “always dreamed of beating him at his own game.” JB and Lulu, another con artist couple, capably play tit for tat with the Travelers, showing the canny author at the height of his game. There’s some good gallows humor, as well, as when Max asks Kelly Jo if they should pose as missionaries, and she replies, “Have you heard the good news?” Although events crest early, the second half juggles a challenging number of moving parts.
Another full-throttle installment that shows that this crime series has no intention of slowing down.Pub Date: Sept. 22, 2019
ISBN: N/A
Page Count: 209
Publisher: Blurred Lines Press
Review Posted Online: Sept. 30, 2019
Kirkus Reviews Issue: Nov. 15, 2019
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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