by Michael P. King ‧ RELEASE DATE: Jan. 18, 2019
The author alters the stakes in this entertaining con artist tale and brings his characters full circle.
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This sixth installment of a series finds the Traveling Man grifting alone while his partner enjoys a normal life.
The Traveling Man, a career con artist, is using the name Tony Rogers while in Mitchellville, Maryland. His wife, continuing under the alias Nicole, has opted for semiretirement with millionaire James Denison in San Francisco. Tony flies without his usual backup into the midst of lawyer Jerry Chen, National Defense Agent Paul Robertson, and several other conspirators who have stolen NGO aid funds from Kyrgyzstan. Chen plans to break into the safe of Clemens, the conspirator holding key bank account codes, to protect himself from being offed by someone killing members of the group. The attorney contacts Missy Grey, a player who calls Tony to crack the safe. The heist goes well until someone murders Duke and Barker, Tony’s partners, making it personal. Meanwhile, in San Francisco, Nicole battles the boredom of living straight by taking on Lily Crockett, a young apprentice criminal. Together they flirt and drink with men and joyride in stolen cars. But when Lily attempts a solo adventure, the callow con doesn’t escape the attention of her marks. They steal her purse and threaten to unravel her life, which forces Nicole to step in. In this latest volume of The Travelers series, King (The Kidnap Victim, 2018, etc.) maintains his svelte, addictive style despite a touch of nostalgia for his characters’ early days. As Nicole reminds Tony, “Money spends better when you have to steal it.” Denison can’t quite douse Nicole’s grifting fire, and she frequently tells him not to worry (“Just relax. This isn’t Cricket Bay”). The plot’s main thrill is seeing Tony in action alone among a half-dozen greedy backstabbers. There’s fresh tension here, as the author eventually proves that his con has “that old happiness” with Nicole and is “one step better than he was on his own.” From the elegiac tone, readers may suspect disaster in the final pages. Or will events leave the Travelers prepped for either the quiet life or another thrilling mark?
The author alters the stakes in this entertaining con artist tale and brings his characters full circle.Pub Date: Jan. 18, 2019
ISBN: 978-0-9993648-5-7
Page Count: 190
Publisher: Blurred Lines Press
Review Posted Online: Jan. 9, 2019
Kirkus Reviews Issue: March 1, 2019
Review Program: Kirkus Indie
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by Larry McMurtry ‧ RELEASE DATE: June 1, 1985
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
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SEEN & HEARD
by Paulo Coelho & translated by Margaret Jull Costa ‧ RELEASE DATE: July 1, 1993
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
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by Paulo Coelho ; translated by Margaret Jull Costa
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by Paulo Coelho ; illustrated by Christoph Niemann ; translated by Margaret Jull Costa
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by Paulo Coelho ; translated by Eric M.B. Becker
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