A frontier tale of sibling rivalry that could use more of its entertainingly otherworldly touches.

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PRAIRIE FEVER

One man prompts two sisters to take divergent paths out of early-1900s Oklahoma.

Winter, 1917: Fifteen-year-old Elise leaves her one-room schoolhouse during a blizzard and attempts to ride a horse to town to research a saloon shooting she’s fixated on. She’s rescued by her older sister, Lorena, who’s used to Elise’s peculiar flights of fancy. But the brief, ill-fated trek has extensive consequences: Elise loses half her toes and the tip of her nose, and both sisters are drawn closer to their teacher, Gus, who’ll play a transforming role in both their lives. Parker’s sixth novel (All I Have in This World, 2014, etc.) is a familiar hardscrabble frontier tale (the title illness claimed the sisters’ two brothers), though it’s enlivened by Elise’s distracted, savantlike temperament, which allows her to memorize whole newspaper articles and predisposes her to impulsive horse rides and distracting reveries. (“Dreaming your dreamy dreams,” as Lorena puts it.) Lorena, more practical and studious, escapes the homestead for college, with Gus seemingly interested in marrying her. But with Lorena away, Gus soon falls for Elise instead, and the sisters split, Elise for Texas, Lorena for Wyoming. Moving the narrative through 1940, Parker’s novel isn’t as much about sisterhood as love, as the two struggle to reckon with their estrangement head-on; some of the novel’s most powerful sections are Elise’s letters to Lorena, addressed not directly to sis but to the horse she rode during the blizzard. The two women’s reconciliation is wan compared to the peculiarities that Parker introduces in the narrative, but the easygoing, sometimes-smirking nature of the prose (True Grit comes to mind) makes the novel a pleasant ride overall.

A frontier tale of sibling rivalry that could use more of its entertainingly otherworldly touches.

Pub Date: May 21, 2019

ISBN: 978-1-61620-853-0

Page Count: 320

Publisher: Algonquin

Review Posted Online: Feb. 28, 2019

Kirkus Reviews Issue: March 15, 2019

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Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

THEN SHE WAS GONE

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 6, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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A promising debut that’s awake to emotional, political, and cultural tensions across time and continents.

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HOMEGOING

A novel of sharply drawn character studies immersed in more than 250 hard, transformative years in the African-American diaspora.

Gyasi’s debut novel opens in the mid-1700s in what is now Ghana, as tribal rivalries are exploited by British and Dutch colonists and slave traders. The daughter of one tribal leader marries a British man for financial expediency, then learns that the “castle” he governs is a holding dungeon for slaves. (When she asks what’s held there, she’s told “cargo.”) The narrative soon alternates chapters between the Ghanans and their American descendants up through the present day. On either side of the Atlantic, the tale is often one of racism, degradation, and loss: a slave on an Alabama plantation is whipped “until the blood on the ground is high enough to bathe a baby”; a freedman in Baltimore fears being sent back South with the passage of the Fugitive Slave Act; a Ghanan woman is driven mad from the abuse of a missionary and her husband’s injury in a tribal war; a woman in Harlem is increasingly distanced from (and then humiliated by) her husband, who passes as white. Gyasi is a deeply empathetic writer, and each of the novel’s 14 chapters is a savvy character portrait that reveals the impact of racism from multiple perspectives. It lacks the sweep that its premise implies, though: while the characters share a bloodline, and a gold-flecked stone appears throughout the book as a symbolic connector, the novel is more a well-made linked story collection than a complex epic. Yet Gyasi plainly has the talent to pull that off: “I will be my own nation,” one woman tells a British suitor early on, and the author understands both the necessity of that defiance and how hard it is to follow through on it.

A promising debut that’s awake to emotional, political, and cultural tensions across time and continents.

Pub Date: June 7, 2016

ISBN: 978-1-101-94713-5

Page Count: 320

Publisher: Knopf

Review Posted Online: March 2, 2016

Kirkus Reviews Issue: March 15, 2016

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