There’s not much beyond the razzle-dazzle, but it’s got that in spades.
Intense hues light up a prehistoric parade.
It’s really all about the colors. The endpapers are twinned head-shot galleries captioned, in the front, with scientific names (“Tyrannosaurus rex”) and pronunciations and, in the rear, translations of same (“Tyrant Lizard King”). In between, Paul marches 18 labeled dinos—mostly one type per page or spread, all flat, white-eyed silhouettes posed (with occasional exceptions) facing the same way against inconspicuously stylized background. The text runs toward the trite: “Some dinosaurs were fast… / and other dinosaurs were slow.” But inspired by the fact that we know very little about how dinosaurs were decorated (according to a brief author’s note), Paul makes each page turn a visual flash. Going for saturated hues and vivid contrasts rather than complex patterns, he sets red-orange spikes like flames along the back of a mottled aquamarine Kentrosaurus, places a small purple-blue Compsognathus beneath a towering Supersaurus that glows like a blown ember, pairs a Giganotosaurus’ toothy head and crest in similarly lambent shades to a spotted green body, and outfits the rest of his cast in like finery. “Today you can see their bones at the museum,” he abruptly, inadequately, and simplistically concludes.
There’s not much beyond the razzle-dazzle, but it’s got that in spades. (Informational picture book. 5-7)Pub Date: April 17, 2018
ISBN: 978-1-5247-6698-6
Page Count: 40
Publisher: Crown
Review Posted Online: Dec. 10, 2017
Kirkus Reviews Issue: Jan. 15, 2018
BOOK REVIEW
BOOK REVIEW
It’s a bit sketchy of historical detail, but it’s coherent, inspirational, and engaging without indulging in rapturous...
A first introduction to the iconic civil rights activist.
“She was very little and very brave, and she always tried to do what was right.” Without many names or any dates, Kaiser traces Parks’ life and career from childhood to later fights for “fair schools, jobs, and houses for black people” as well as “voting rights, women’s rights and the rights of people in prison.” Though her refusal to change seats and the ensuing bus boycott are misleadingly presented as spontaneous acts of protest, young readers will come away with a clear picture of her worth as a role model. Though recognizable thanks to the large wire-rimmed glasses Parks sports from the outset as she marches confidently through Antelo’s stylized illustrations, she looks childlike throughout (as characteristic of this series), and her skin is unrealistically darkened to match the most common shade visible on other African-American figures. In her co-published Emmeline Pankhurst (illustrated by Ana Sanfelippo), Kaiser likewise simplistically implies that Great Britain led the way in granting universal women’s suffrage but highlights her subject’s courageous quest for justice, and Isabel Sánchez Vegara caps her profile of Audrey Hepburn (illustrated by Amaia Arrazola) with the moot but laudable claim that “helping people across the globe” (all of whom in the pictures are dark-skinned children) made Hepburn “happier than acting or dancing ever had.” All three titles end with photographs and timelines over more-detailed recaps plus at least one lead to further information.
It’s a bit sketchy of historical detail, but it’s coherent, inspirational, and engaging without indulging in rapturous flights of hyperbole. (Picture book/biography. 5-7)Pub Date: Sept. 7, 2017
ISBN: 978-1-78603-018-4
Page Count: 32
Publisher: Frances Lincoln
Review Posted Online: May 9, 2017
Kirkus Reviews Issue: June 1, 2017
BOOK REVIEW
BOOK REVIEW
Fine fare for younger dinosaur lovers, particularly those of a hands-on sort.
A set of pop-up prehistoric specimens to assemble and insert in a museum exhibit.
Two young tour guides, “Mary” (after Mary Anning) and “Barnum” (after Barnum Brown), squire readers through a soon-to-open dinosaur hall. There they point out slots where each of the five pop-up models—of Stegosaurus, Liopleurodon, Pteranodon, and Triceratops as well as T. Rex skulls—can be (gluelessly) attached and add side comments to the already-placed explanatory and descriptive labels. Neatly hidden beneath a large front flap along with printed assembly diagrams that make matching the various slots and tabs relatively easy, the large punch-out pieces turn into simplified but reasonably realistic models. Smaller specimens of dino poop, a fossilized egg, and other enhancements also have waiting slots in side cases. The pop-ups aren’t the whole show, either, as the parts of the exhibit already in place in the background illustrations and narrative boxes offer a basic but solid picture of dinosaurian types, features, and habits. Mary presents black, and Barnum presents white.
Fine fare for younger dinosaur lovers, particularly those of a hands-on sort. (Informational novelty. 5-7)Pub Date: Oct. 16, 2018
ISBN: 978-1-78868-128-5
Page Count: 24
Publisher: Lonely Planet
Review Posted Online: Nov. 11, 2018
Kirkus Reviews Issue: Dec. 1, 2018
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