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IMAGINED PLACES

JOURNEYS INTO LITERARY AMERICA

Pearson (English and Journalism/Old Dominion Univ.) recounts, in a series of charming informal essays, his experiences visiting six places with literary associations—Frost's Vermont, Faulkner's Mississippi, Flannery O'Connor's Georgia, Hemingway's Key West, Steinbeck's California, and Twain's Missouri. Although each chapter includes a biography of the author and a history of the place, all carefully researched with familiar citations, this is neither a literary nor a travel book, for the emphasis falls on the unexpected people and experiences Pearson found as he went in search of his literary prototypes. In Vermont, he finds TV producer Norman Lear living on Frost's farm, and in a village near Manchester, Barbara Comfort, artist, mystery writer, and inventor of, among other things, an edible toothpick. In Mississippi, Pearson comes across Mahatma Gandhi's grandson, and while few remember O'Connor in Milledgeville, Georgia, Pearson learns a lot about the serial murders there that became the subject of Pete Dexter's Paris Trout. In Hemingway's Key West he finds ``Papa's'' old sparring and drinking partners, businessmen thriving on the real-estate market, and a lady who prospers from designing silk pajamas for Bill Cosby. Salinas, California, is still Steinbeck country, home to Steinbeck's laborers, landscape, and a restaurant where ``each waitress could pass for Steinbeck's mother.'' Perhaps the only place that should have been left in Pearson's dreams is Hannibal, where he took his two young sons to discover a shabby, depressed area surviving on tourists. Clemens Field, a recreation spot, retains the walls and barbed wire from when it was a camp for German POWs. Pearson's descriptions and interviews are first-rate, but his literary allusions are often strained (in part because many of the places are not important in the literature), as is, occasionally, his writing: ``the sunshine is as thick as melted butter.'' Still, a pleasant read, full of rich anecdote and detail. (Thirty b&w photographs—not seen.)

Pub Date: Oct. 31, 1991

ISBN: 0-87805-526-6

Page Count: 224

Publisher: Univ. Press of Mississippi

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 1991

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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