by Michael Perry ‧ RELEASE DATE: April 21, 2009
Dryly humorous, mildly neurotic and just plain soulful—a book that might even make you want to buy a few chickens.
The author takes up farming and gathers memories after moving to a Wisconsin homestead with his wife and daughter.
Though he grew up on a farm, Men’s Health contributing editor Perry (Truck, 2006, etc.) doesn’t pretend to be a son of the soil. He lives mostly in his head and through his eyes. His tasks around the farm are discreet enthusiasms and bemusements rather than vexing chores. He also has a complete set of anxieties, from his wife wanting a home birth for their impending child to making sure he doesn’t deglove his hand—that is, remove all the tissue so that only the bones remain—in a whirling piece of machinery. At the beginning of this memoir, after gently reflecting on a slice of his past, Perry writes, “It would be sweet to noodle along in this minor key, but I’m stopping now”—then he noodles right on. He notes with affection that his wife can blow her nose without the aid of a hanky (“now there is a woman who can endure”), grimly ponders the axe-blow-to-BTU ratio of his woodcutting, experiences the winter night’s air as “tin-pail cold against my nose” and stands rapt with his six-year-old daughter as their dog eats a dead rabbit. (He later has the bright idea of feeding some dead rabbits to his pigs.) He frequently thinks back on his farm childhood, marveling at how his devoutly religious parents made ends meet as they welcomed dozens of abandoned, mistreated or otherwise lost children into their home. Because Perry is an adept storyteller, he balances the sweeter sections with passages evoking the sting of loss and grief—not unduly, but enough to recall the impermanence of life and the swiftness of its transformations.
Dryly humorous, mildly neurotic and just plain soulful—a book that might even make you want to buy a few chickens.Pub Date: April 21, 2009
ISBN: 978-0-06-124043-0
Page Count: 368
Publisher: Harper/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2009
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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