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VISITING TOM

A MAN, A HIGHWAY, AND THE ROAD TO ROUGHNECK GRACE

Flawed, but down-to-earth and genuine.

The warmhearted account of a middle-aged man's friendship with an eccentric octogenarian neighbor.

When Men's Health contributing editor Perry (Coop: A Year of Poultry, Pigs, and Parenting, 2009, etc.) met Tom Hartwig, he had no idea that this man with the “brushy shock of hair, the fatless cheeks, the deep-seamed skin and the nose like a flint broadhead” would one day become an important part of his life. A farmer who loved tinkering in a home workshop that looked like it was “stocked by Rube Goldberg, curated by Hunter Thompson, and rearranged by a small earthquake,” Tom had a special fondness for assembling, and firing, vintage Civil War canons. Perry did not consciously go to Tom “seeking” anything beyond repairs for small pieces of equipment or the occasional get-together, yet he still found himself quietly inspired by Tom's feistiness and wisdom. The older man's unwillingness to surrender his dignity in the face of an interstate construction project that cut through his farm gave Perry the courage to fight a county-highway-commission project to reconfigure an intersection near his own house. The almost-60-year relationship Tom had with his wife, Arlene, offered a model of enduring domestic success that Perry also admired. Musing on his own comparatively brief marriage, the author observes somewhat wryly, “[f]amiliarity is no excuse for lowering your standards.” But perhaps most importantly of all, the couple provided both Perry and his family a link to the past and a feeling of generational continuity rare in an otherwise disconnected modern age. Perry's portrayal of Tom and his life are both engaging, although the meandering nature of the narrative can be frustrating. Nevertheless, the moments of genuine emotion make up for its slow pace.

Flawed, but down-to-earth and genuine.

Pub Date: Sept. 1, 2012

ISBN: 978-0-06-189444-2

Page Count: 320

Publisher: Harper/HarperCollins

Review Posted Online: July 4, 2012

Kirkus Reviews Issue: Aug. 1, 2012

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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