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GRAND CANYON CELEBRATION

A FATHER-SON JOURNEY OF DISCOVERY

Another I-survived-the-Grand-Canyon memoir, but one with a twist. Patton, a sociologist well known among social-service workers for his writings on program evaluation and research, seems not to have met a New Age idea that he doesn’t like. Through the pages of this well-written book, he tests many of those ideas on his 18-year-old son, with whom he undertook a coming-of-age backpacking journey into the heart of the Grand Canyon a few years ago. Using the voyage as a means of talking about life’s big questions is an old strategy—in the instance of the Grand Canyon, we’ve already got William Calvin’s The River That Flows Uphill, a meditation on neuroscience and evolution—but Patton gives it a fresh turn with his apparent innocence and willingness to question anything and everything. Readers of a hard-nosed, hardcore wilderness-experience bent won’t much like Patton’s constant adverting to core New Age texts like Robert Bly’s Iron John and C.G. Jung’s Myth and Symbol, his readiness to bang bongo drums and press innocent animals into service as totems for his latter-day vision quest, but they’re not Patton’s core audience. Instead, he seems to be writing for men who are at something of a loss as to how to talk to their teenage sons, and in this matter he is a sympathetic and reassuring guide who sets a wise and reflective example. In one passage, for instance, Patton writes of watching his son sleep after a hard day of scrambling through broken rock and deep gorges and becoming “deeply conscious of how few extended and uninterrupted conversations we had had in his whole life. Times when TV didn’t force us to fit whatever dialogue we could into the space of commercials. Times when the telephone didn’t interrupt.” Fortunately for Patton, he was able to make time for those conversations, and it’s a pleasure to eavesdrop. File this under parenting, not outdoor adventure.

Pub Date: Feb. 1, 1999

ISBN: 1-57392-266-8

Page Count: 330

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 1999

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THE ESCAPE ARTIST

A vivid sequel that strains credulity.

Fremont (After Long Silence, 1999) continues—and alters—her story of how memories of the Holocaust affected her family.

At the age of 44, the author learned that her father had disowned her, declaring her “predeceased”—or dead in his eyes—in his will. It was his final insult: Her parents had stopped speaking to her after she’d published After Long Silence, which exposed them as Jewish Holocaust survivors who had posed as Catholics in Europe and America in order to hide multilayered secrets. Here, Fremont delves further into her tortured family dynamics and shows how the rift developed. One thread centers on her life after her harrowing childhood: her education at Wellesley and Boston University, the loss of her virginity to a college boyfriend before accepting her lesbianism, her stint with the Peace Corps in Lesotho, and her decades of work as a lawyer in Boston. Another strand involves her fraught relationship with her sister, Lara, and how their difficulties relate to their father, a doctor embittered after years in the Siberian gulag; and their mother, deeply enmeshed with her own sister, Zosia, who had married an Italian count and stayed in Rome to raise a child. Fremont tells these stories with novelistic flair, ending with a surprising theory about why her parents hid their Judaism. Yet she often appears insensitive to the serious problems she says Lara once faced, including suicidal depression. “The whole point of suicide, I thought, was to succeed at it,” she writes. “My sister’s completion rate was pathetic.” Key facts also differ from those in her earlier work. After Long Silence says, for example, that the author grew up “in a small city in the Midwest” while she writes here that she grew up in “upstate New York,” changes Fremont says she made for “consistency” in the new book but that muddy its narrative waters. The discrepancies may not bother readers seeking psychological insights rather than factual accuracy, but others will wonder if this book should have been labeled a fictionalized autobiography rather than a memoir.

A vivid sequel that strains credulity.

Pub Date: Feb. 11, 2020

ISBN: 978-1-982113-60-5

Page Count: 352

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Oct. 20, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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AN INVISIBLE THREAD

THE TRUE STORY OF AN 11-YEAR-OLD PANHANDLER, A BUSY SALES EXECUTIVE, AND AN UNLIKELY MEETING WITH DESTINY

A straightforward tale of kindness and paying it forward in 1980s New York.

When advertising executive Schroff answered a child’s request for spare change by inviting him for lunch, she did not expect the encounter to grow into a friendship that would endure into his adulthood. The author recounts how she and Maurice, a promising boy from a drug-addicted family, learned to trust each other. Schroff acknowledges risks—including the possibility of her actions being misconstrued and the tension of crossing socio-economic divides—but does not dwell on the complexities of homelessness or the philosophical problems of altruism. She does not question whether public recognition is beneficial, or whether it is sufficient for the recipient to realize the extent of what has been done. With the assistance of People human-interest writer Tresniowski (Tiger Virtues, 2005, etc.), Schroff adheres to a personal narrative that traces her troubled relationship with her father, her meetings with Maurice and his background, all while avoiding direct parallels, noting that their childhoods differed in severity even if they shared similar emotional voids. With feel-good dramatizations, the story seldom transcends the message that reaching out makes a difference. It is framed in simple terms, from attributing the first meeting to “two people with complicated pasts and fragile dreams” that were “somehow meant to be friends” to the conclusion that love is a driving force. Admirably, Schroff notes that she did not seek a role as a “substitute parent,” and she does not judge Maurice’s mother for her lifestyle. That both main figures experience a few setbacks yet eventually survive is never in question; the story fittingly concludes with an epilogue by Maurice. For readers seeking an uplifting reminder that small gestures matter.

 

Pub Date: Nov. 1, 2011

ISBN: 978-1-4516-4251-3

Page Count: 288

Publisher: Howard Books/Simon & Schuster

Review Posted Online: July 26, 2011

Kirkus Reviews Issue: Sept. 1, 2011

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