Nearly as long as the voluminous prequel but more swiftly paced, the second in the Litchfield series is a marked improvement.
In Reagan’s (The Devil’s Handshake, 2014) latest thriller, billionaire oligarch Sir Thomas Litchfield returns, caught in global tension over the control of Central Asia’s natural gas.
Two years after North Korea and South Korea are reunified, a new gas pipeline through the Koreas has other countries at arms. The initial problems for people in places such as the U.S., China and Russia are monetary; the Turkmenistan president, for example, wants Thomas’ TLH Group to give up its commission with the country. But the situation worsens when a woman, secretly part of a family with a vendetta against Thomas, finds herself in a position of power. Her attempt at retribution leads some to accuse Thomas of murdering his business partner and, since it could be construed as a power play, profiteering from the pipeline deal. It escalates from there: A Turkmenistan gas field is attacked, and countries, including Japan, blame one another for trying to gain control of the fields. Reagan’s novel is a labyrinth of subplots: There’s Zhang Nu, a Chinese model/intelligence officer monitoring Thomas; Korean Vice President O Su Lee, who spearheaded the reunification and may have further, possibly devious, plans; and one country’s indisputable attack on another, perhaps threatening another world war. There are also a few impressive action scenes, particularly the multiple assassination attempts on Thomas, whose armed bodyguards get involved in a few gunfights. The uneasiness derived from international distrust makes even mere discussions, such as ones between Thomas and his friend (but still potentially dangerous) Russian President Vladimir Putin, sound like razor-laced discourse. Yet Reagan doesn’t define the story’s villains by their nations; each country has its share of bad guys, as well as those intent on maintaining peace—even a Japanese yakuza turns out to be a man of honor. However, an abundance of grammatical errors distracts from the otherwise entertaining narrative. And like last time, an open ending teases another sequel, though just deserts for one character will have readers taking in the coda with approval.
Nearly as long as the voluminous prequel but more swiftly paced, the second in the Litchfield series is a marked improvement.Pub Date: Aug. 20, 2014
ISBN: N/A
Page Count: 436
Publisher: Brightquart Rights
Review Posted Online: Oct. 16, 2014
Kirkus Reviews Issue: Dec. 15, 2014
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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