A series of frustrating near-misses from an obviously talented writer.
Faith, keeping it or breaking it, is the theme that ties together a debut collection from Canadian novelist Redhill (Martin Sloane, 2002).
The opening tale, “Mount Morris,” illustrates Redhill’s strengths and weaknesses. Tom and Lillian’s marriage fell apart over whether to have kids, but for 12 years they have had cordial if edgy annual reunions. This year will be different: Tom has a new romance that prompts feelings stronger than any he had for his wife. Redhill writes gracefully; his characters are appealing. Yet Tom never delivers his big news, and a low-stakes story fizzles out. The closing piece, “Human Elements,” has similarly low stakes. Russell, a depressed poet, has retreated to a lakeside cabin. A young couple invades his space: Kate and Sylvain, who are tagging frogs for an environmental project, may be breaking up, but does it really matter? The details of frog life steal the show. In some stories, the stakes are high, but the resolution is botched. “The Victim, Who Cannot Be Named,” for example, shows Peter and Margot Bowman undone by the discovery of a three-way sex video involving their 17-year-old daughter. These calm, enlightened parents are suddenly at sea, and their domestic shipwreck is beautifully rendered. Then Peter turns into a quite improbable vigilante, ruining everything. “A Lark” also seems all set to strike sparks. Bergman is pushing 40, happily married, a middle-management type living in Toronto. On assignment in distant Calgary, he has a liberating affair with a young trainee at his company. But Bergman abruptly ends it, and the story winds down ever so slowly, with the adulterer home free and no payoff. Other tales here falter with a dubious premise. In “Cold,” Paul gets word that former college roommate Louis is in a funk after the collapse of his marriage and flies to Europe to help him through it. Yet Louis is the same bore he always was, and Paul’s sense of obligation is mystifying.
A series of frustrating near-misses from an obviously talented writer.Pub Date: March 23, 2004
ISBN: 0-316-73499-3
Page Count: 224
Publisher: Little, Brown
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Jan. 1, 2004
BOOK REVIEW
BOOK REVIEW
A newcomer to watch: fresh, funny, and tough.
Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.
In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.
A newcomer to watch: fresh, funny, and tough.Pub Date: Jan. 1, 2005
ISBN: 0-8021-1788-0
Page Count: 224
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2004
Old-fashioned short fiction: honest, probing and moving.
One of America’s great novelists (Lost Memory of Skin, 2011, etc.) also writes excellent stories, as his sixth collection reminds readers.
Don’t expect atmospheric mood poems or avant-garde stylistic games in these dozen tales. Banks is a traditionalist, interested in narrative and character development; his simple, flexible prose doesn’t call attention to itself as it serves those aims. The intricate, not necessarily permanent bonds of family are a central concern. The bleak, stoic “Former Marine” depicts an aging father driven to extremes because he’s too proud to admit to his adult sons that he can no longer take care of himself. In the heartbreaking title story, the death of a beloved dog signals the final rupture in a family already rent by divorce. Fraught marriages in all their variety are unsparingly scrutinized in “Christmas Party,” Big Dog” and “The Outer Banks." But as the collection moves along, interactions with strangers begin to occupy center stage. The protagonist of “The Invisible Parrot” transcends the anxieties of his hard-pressed life through an impromptu act of generosity to a junkie. A man waiting in an airport bar is the uneasy recipient of confidences about “Searching for Veronica” from a woman whose truthfulness and motives he begins to suspect, until he flees since “the only safe response is to quarantine yourself.” Lurking menace that erupts into violence features in many Banks novels, and here, it provides jarring climaxes to two otherwise solid stories, “Blue” and “The Green Door.” Yet Banks quietly conveys compassion for even the darkest of his characters. Many of them (like their author) are older, at a point in life where options narrow and the future is uncomfortably close at hand—which is why widowed Isabel’s fearless shucking of her confining past is so exhilarating in “SnowBirds,” albeit counterbalanced by her friend Jane’s bleak acceptance of her own limited prospects.
Old-fashioned short fiction: honest, probing and moving.Pub Date: Nov. 12, 2013
ISBN: 978-0-06-185765-2
Page Count: 304
Publisher: Ecco/HarperCollins
Review Posted Online: Aug. 31, 2013
Kirkus Reviews Issue: Sept. 15, 2013
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