An urgent, poignant, and terrifying thriller. More please.
Forensic psychologist Cyrus Haven returns in Robotham’s gripping follow-up to Good Girl, Bad Girl (2019).
Cyrus has finally tracked down Sacha Hopewell, the London special constable who carried little Evie Cormac out of a house of horrors seven years ago, where a man was tortured and killed trying to protect her. The little girl, whose true identity remains a mystery, was dubbed Angel Face and made a ward of the court; eventually she was given the name Evie and moved to Langford Hall, a secure children’s home. Meanwhile, Sacha and her family were threatened, and she eventually fled London. Cyrus hopes Sacha can shed light on what really happened to Evie in the days following her rescue and offers to take Sacha to see Evie, but she declines. Cyrus is then called to the scene of retired police officer Hamish Whitmore’s suspected suicide, where he finds evidence that suggests Whitmore was murdered. Cyrus advises his old friend Detective Lenny Parvel to treat the death as a homicide. Cyrus soon finds out that Whitmore had been investigating a series of child murders attributed to recently deceased pedophile Eugene Green, and, shockingly, the last name on his list is Angel Face. Whitmore’s family also reveals that a man with pale blue eyes and a half-moon scar, claiming to be police, had already questioned them. That’s no police officer, and it’s not long before Cyrus, with Sacha’s help, is racing to find out Evie’s true identity in a bid to save her from a powerful group of people who want her silenced at any cost. Once again, Robotham delves into some very (very) dark territory, and the horror steadily mounts as Evie, who has a strange ability to tell when people are lying, finally reveals what really happened to her before her rescue. Cyrus and Evie, both trauma survivors, are quirky, complex, and endlessly fascinating creations, and Robotham’s meticulously crafted tale is propelled by their alternating first-person narratives. Readers will be putty in this supremely talented author’s capable hands.
An urgent, poignant, and terrifying thriller. More please.Pub Date: July 28, 2020
ISBN: 978-1-982103-63-7
Page Count: 352
Publisher: Scribner
Review Posted Online: May 3, 2020
Kirkus Reviews Issue: May 15, 2020
A standout in the series.
The sixth adventure of Harvard symbology professor Robert Langdon explores the mysteries of human consciousness, the demonic projects of the CIA, and the city of Prague.
“Ladies and gentlemen...we are about to experience a sea change in our understanding of how the brain works, the nature of consciousness, and in fact…the very nature of reality itself.” But first—Langdon’s in love! Brown’s devoted readers first met brilliant noetic scientist Katherine Solomon in The Lost Symbol (2009); she’s back as a serious girlfriend, engaging the committed bachelor in a way not seen before. The book opens with the pair in a luxurious suite at the Four Seasons in Prague. It’s the night after Katherine has delivered the lecture quoted above, setting the theme for the novel, which features a plethora of real-life cases and anomalies that seem to support the notion that human consciousness is not localized inside the human skull. Brown’s talent for assembling research is also evident in this novel’s alter ego as a guidebook to Prague, whose history and attractions are described in great and glowing detail. Whether you appreciate or skim past the innumerable info dumps on these and other topics (Jewish folklore fans—the Golem is in the house!), it goes without saying that concision is not a goal in the Dan Brown editing process. Speaking of editing, the nearly 700-page book is dedicated to Brown’s editor, who seems to appear as a character—to put it in the italicized form used for Brownian insight, Jason Kaufman must be Jonas Faukman! A major subplot involves the theft of Katherine’s manuscript from the secure servers of Penguin Random House; the delightful Faukman continues to spout witty wisecracks even when blindfolded and hogtied. There’s no shortage of action, derring-do, explosions, high-tech torture machines, attempted and successful murders, and opportunities for split-second, last-minute escapes; good thing Langdon, this aging symbology wonk, never misses swimming his morning laps. Readers who are not already dyed-in-the-wool Langdonites may find themselves echoing the prof’s own conclusion regarding the credibility of all this paranormal hoo-ha: At some point, skepticism itself becomes irrational.
A standout in the series.Pub Date: Sept. 9, 2025
ISBN: 9780385546898
Page Count: 688
Publisher: Doubleday
Review Posted Online: Sept. 9, 2025
Kirkus Reviews Issue: Nov. 1, 2025
A grim yet gleefully gratifying tale of lost innocence and found family.
A woman fears she made a fatal mistake by taking in a blood-soaked tween during a storm.
High winds and torrential rain are forecast for “The Middle of Nowhere, New Hampshire,” making Casey question the structural integrity of her ramshackle rental cabin. Still, she’s loath to seek shelter with her lecherous landlord or her paternalistic neighbor, so instead she just crosses her fingers, gathers some candles, and hopes for the best. Casey is cooking dinner when she notices a light in her shed. She grabs her gun and investigates, only to find a rail-thin girl hiding in the corner under a blanket. She’s clutching a knife with “Eleanor” written on the handle in black marker, and though her clothes are bloody, she appears uninjured. The weather is rapidly worsening, so before she can second-guess herself, former Boston-area teacher Casey invites the girl—whom she judges to be 12 or 13—inside to eat and get warm. A wary but starving Eleanor accepts in exchange for Casey promising not to call the police—a deal Casey comes to regret after the phones go down, the power goes out, and her hostile, sullen guest drops something that’s a big surprise. Meanwhile, in interspersed chapters labeled “Before,” middle-schooler Ella befriends fellow outcast Anton, who helps her endure life in Medford, Massachusetts, with her abusive, neglectful hoarder of a mother. As per her usual, McFadden lulls readers using a seemingly straightforward thriller setup before launching headlong into a series of progressively seismic (and increasingly bonkers) plot twists. The visceral first-person, present-tense narrative alternates perspectives, fostering tension and immediacy while establishing character and engendering empathy. Ella and Anton’s relationship particularly shines, its heartrending authenticity counterbalancing some of the story’s soapier turns.
A grim yet gleefully gratifying tale of lost innocence and found family.Pub Date: Oct. 7, 2025
ISBN: 9781464260919
Page Count: 288
Publisher: Poisoned Pen
Review Posted Online: Aug. 2, 2025
Kirkus Reviews Issue: Sept. 1, 2025
SEEN & HEARD
SEEN & HEARD
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