An urgent, poignant, and terrifying thriller. More please.
Forensic psychologist Cyrus Haven returns in Robotham’s gripping follow-up to Good Girl, Bad Girl (2019).
Cyrus has finally tracked down Sacha Hopewell, the London special constable who carried little Evie Cormac out of a house of horrors seven years ago, where a man was tortured and killed trying to protect her. The little girl, whose true identity remains a mystery, was dubbed Angel Face and made a ward of the court; eventually she was given the name Evie and moved to Langford Hall, a secure children’s home. Meanwhile, Sacha and her family were threatened, and she eventually fled London. Cyrus hopes Sacha can shed light on what really happened to Evie in the days following her rescue and offers to take Sacha to see Evie, but she declines. Cyrus is then called to the scene of retired police officer Hamish Whitmore’s suspected suicide, where he finds evidence that suggests Whitmore was murdered. Cyrus advises his old friend Detective Lenny Parvel to treat the death as a homicide. Cyrus soon finds out that Whitmore had been investigating a series of child murders attributed to recently deceased pedophile Eugene Green, and, shockingly, the last name on his list is Angel Face. Whitmore’s family also reveals that a man with pale blue eyes and a half-moon scar, claiming to be police, had already questioned them. That’s no police officer, and it’s not long before Cyrus, with Sacha’s help, is racing to find out Evie’s true identity in a bid to save her from a powerful group of people who want her silenced at any cost. Once again, Robotham delves into some very (very) dark territory, and the horror steadily mounts as Evie, who has a strange ability to tell when people are lying, finally reveals what really happened to her before her rescue. Cyrus and Evie, both trauma survivors, are quirky, complex, and endlessly fascinating creations, and Robotham’s meticulously crafted tale is propelled by their alternating first-person narratives. Readers will be putty in this supremely talented author’s capable hands.
An urgent, poignant, and terrifying thriller. More please.Pub Date: July 28, 2020
ISBN: 978-1-982103-63-7
Page Count: 352
Publisher: Scribner
Review Posted Online: May 3, 2020
Kirkus Reviews Issue: May 15, 2020
A grim yet gleefully gratifying tale of lost innocence and found family.
A woman fears she made a fatal mistake by taking in a blood-soaked tween during a storm.
High winds and torrential rain are forecast for “The Middle of Nowhere, New Hampshire,” making Casey question the structural integrity of her ramshackle rental cabin. Still, she’s loath to seek shelter with her lecherous landlord or her paternalistic neighbor, so instead she just crosses her fingers, gathers some candles, and hopes for the best. Casey is cooking dinner when she notices a light in her shed. She grabs her gun and investigates, only to find a rail-thin girl hiding in the corner under a blanket. She’s clutching a knife with “Eleanor” written on the handle in black marker, and though her clothes are bloody, she appears uninjured. The weather is rapidly worsening, so before she can second-guess herself, former Boston-area teacher Casey invites the girl—whom she judges to be 12 or 13—inside to eat and get warm. A wary but starving Eleanor accepts in exchange for Casey promising not to call the police—a deal Casey comes to regret after the phones go down, the power goes out, and her hostile, sullen guest drops something that’s a big surprise. Meanwhile, in interspersed chapters labeled “Before,” middle-schooler Ella befriends fellow outcast Anton, who helps her endure life in Medford, Massachusetts, with her abusive, neglectful hoarder of a mother. As per her usual, McFadden lulls readers using a seemingly straightforward thriller setup before launching headlong into a series of progressively seismic (and increasingly bonkers) plot twists. The visceral first-person, present-tense narrative alternates perspectives, fostering tension and immediacy while establishing character and engendering empathy. Ella and Anton’s relationship particularly shines, its heartrending authenticity counterbalancing some of the story’s soapier turns.
A grim yet gleefully gratifying tale of lost innocence and found family.Pub Date: Oct. 7, 2025
ISBN: 9781464260919
Page Count: 288
Publisher: Poisoned Pen
Review Posted Online: Aug. 2, 2025
Kirkus Reviews Issue: Sept. 1, 2025
SEEN & HEARD
Fast-moving and disturbingly plausible.
Robots may be the future of warfare in this final father-son DeMille collaboration.
In Camp Hayden, Army Maj. Roger Ames is found dead, his skull crushed. Chief Warrant Officers Scott Brodie and Maggie Taylor, special agents of the United States Army Criminal Investigation Division, are sent to the Mojave Desert, “a.k.a. in the middle of nowhere,” to investigate. In this fictional military installation, Army Rangers conduct field training exercises with lethal autonomous weapons. These “dangerous new toys,” nicknamed “tin men,” may become the future of warfare if they can be programmed to distinguish between friend and foe. Anyway, the Rangers’ job is to train the tin men, not the other way around. They are AI-driven robotic prototypes called D-17s, but even prototypes can kill. Did a bot kill the major? And was there criminal liability or intent, or was it a tragic accident? Brodie and Taylor discover that not everyone loves these beasts, and they must find out if humans are programming them for mischief or even trying to set up the program for failure. Meanwhile, the bots have nicknames. Bot number 20 is Bucky, seen on a video as a “seven-foot-tall titanium machine with hands covered in blood and brain matter” that has “a face but no eyes, with hands but no skin, with a body but no soul.” As scary as these beasties are, Brodie and Taylor must also look at the humans at Camp Hayden, because they learn that the “machines don’t have motives….They have inputs and outputs,” which naturally come from human programmers. They have neither brains nor courage nor honor; they do have brute force, speed, and agility. Obviously, plenty goes haywire in this enjoyable yarn. It feels a bit too believable for comfort, and that’s to the DeMilles’ credit as storytellers. Nelson DeMille had begun this project with his son Alex, who had to finish it alone after his father’s death.
Fast-moving and disturbingly plausible.Pub Date: Oct. 28, 2025
ISBN: 9781501101878
Page Count: 384
Publisher: Simon & Schuster
Review Posted Online: July 19, 2025
Kirkus Reviews Issue: Aug. 15, 2025
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
