A flawless and compassionate psychological thriller.
When an idealistic young police officer responds to a call of domestic assault and subsequently becomes friends with the victim, the lives of the two women become intertwined in an increasingly sinister way and the line between rescuer and prey becomes fatally blurred.
Philomena McCarthy may be the daughter of a notorious London gangster, but ever since the age of 11, when she was injured in the terrorist bombing of a bus, she has known that she wanted to join the London Metropolitan Police to become the kind of officer who saved her that day. And 16 years later, she has fulfilled that ambition and witnessed a great deal. “Most people look at London and see landmarks,” she explains. “I see the maimed, broken, and the addicted, the eyewitnesses, the innocent bystanders, and the bereaved.” Something new awaits Phil, however, when she assists Tempe Brown, a terrified young woman, and arrests Tempe’s assailant, who turns out to be a high-ranking police officer hailed as a hero for his courage during a headline-grabbing knife attack. As the expertly paced first-person narrative accelerates, the reader is drawn into Phil’s personal life and, at the same time, immersed in the world of everyday policing and the darker realm of corruption and dirty politics. “I am a good police officer,” Phil protests. “You don’t have to convince me,” her partner replies, “but they are trying to drive you out. And you can’t afford to make any mistakes.” But is her most serious mistake her new and needy best friend? Sidestepping all the clichés—the tough-girl humor is perfectly pitched and never overdone—the novel is as psychologically nuanced and emotionally engaging as it is suspenseful. There will be a wedding finally, after several funerals, but “summer has ended,” Phil notes, “and the air is growing cooler as the days shorten. I am not the same person I was four months ago, or even a week ago, or even this morning.” And the reader believes her.
A flawless and compassionate psychological thriller.Pub Date: Jan. 4, 2022
ISBN: 978-1-982166-45-8
Page Count: 368
Publisher: Scribner
Review Posted Online: Oct. 26, 2021
Kirkus Reviews Issue: Nov. 15, 2021
A grim yet gleefully gratifying tale of lost innocence and found family.
A woman fears she made a fatal mistake by taking in a blood-soaked tween during a storm.
High winds and torrential rain are forecast for “The Middle of Nowhere, New Hampshire,” making Casey question the structural integrity of her ramshackle rental cabin. Still, she’s loath to seek shelter with her lecherous landlord or her paternalistic neighbor, so instead she just crosses her fingers, gathers some candles, and hopes for the best. Casey is cooking dinner when she notices a light in her shed. She grabs her gun and investigates, only to find a rail-thin girl hiding in the corner under a blanket. She’s clutching a knife with “Eleanor” written on the handle in black marker, and though her clothes are bloody, she appears uninjured. The weather is rapidly worsening, so before she can second-guess herself, former Boston-area teacher Casey invites the girl—whom she judges to be 12 or 13—inside to eat and get warm. A wary but starving Eleanor accepts in exchange for Casey promising not to call the police—a deal Casey comes to regret after the phones go down, the power goes out, and her hostile, sullen guest drops something that’s a big surprise. Meanwhile, in interspersed chapters labeled “Before,” middle-schooler Ella befriends fellow outcast Anton, who helps her endure life in Medford, Massachusetts, with her abusive, neglectful hoarder of a mother. As per her usual, McFadden lulls readers using a seemingly straightforward thriller setup before launching headlong into a series of progressively seismic (and increasingly bonkers) plot twists. The visceral first-person, present-tense narrative alternates perspectives, fostering tension and immediacy while establishing character and engendering empathy. Ella and Anton’s relationship particularly shines, its heartrending authenticity counterbalancing some of the story’s soapier turns.
A grim yet gleefully gratifying tale of lost innocence and found family.Pub Date: Oct. 7, 2025
ISBN: 9781464260919
Page Count: 288
Publisher: Poisoned Pen
Review Posted Online: Aug. 2, 2025
Kirkus Reviews Issue: Sept. 1, 2025
SEEN & HEARD
SEEN & HEARD
Fast-moving and disturbingly plausible.
Robots may be the future of warfare in this final father-son DeMille collaboration.
In Camp Hayden, Army Maj. Roger Ames is found dead, his skull crushed. Chief Warrant Officers Scott Brodie and Maggie Taylor, special agents of the United States Army Criminal Investigation Division, are sent to the Mojave Desert, “a.k.a. in the middle of nowhere,” to investigate. In this fictional military installation, Army Rangers conduct field training exercises with lethal autonomous weapons. These “dangerous new toys,” nicknamed “tin men,” may become the future of warfare if they can be programmed to distinguish between friend and foe. Anyway, the Rangers’ job is to train the tin men, not the other way around. They are AI-driven robotic prototypes called D-17s, but even prototypes can kill. Did a bot kill the major? And was there criminal liability or intent, or was it a tragic accident? Brodie and Taylor discover that not everyone loves these beasts, and they must find out if humans are programming them for mischief or even trying to set up the program for failure. Meanwhile, the bots have nicknames. Bot number 20 is Bucky, seen on a video as a “seven-foot-tall titanium machine with hands covered in blood and brain matter” that has “a face but no eyes, with hands but no skin, with a body but no soul.” As scary as these beasties are, Brodie and Taylor must also look at the humans at Camp Hayden, because they learn that the “machines don’t have motives….They have inputs and outputs,” which naturally come from human programmers. They have neither brains nor courage nor honor; they do have brute force, speed, and agility. Obviously, plenty goes haywire in this enjoyable yarn. It feels a bit too believable for comfort, and that’s to the DeMilles’ credit as storytellers. Nelson DeMille had begun this project with his son Alex, who had to finish it alone after his father’s death.
Fast-moving and disturbingly plausible.Pub Date: Oct. 28, 2025
ISBN: 9781501101878
Page Count: 384
Publisher: Simon & Schuster
Review Posted Online: July 19, 2025
Kirkus Reviews Issue: Aug. 15, 2025
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