Irresistible invitations to engage and interact with words.
Thirty-two easy poems aimed at fledgling readers tickled by “rhyme, rhythm, repetition, and play.”
“I’m ready for spaghetti. / Will you getti the spaghetti? / Don’t say ‘Not yetti spaghetti!’ / I’m all setti for spaghetti.” Dunbar’s watercolors, depicting a racially diverse cast of laughing, active children in pajamas or play clothes, reflect the celebratory tone of Rosen’s breezy miniverses, which are not only suitable for chanting or singing as well as silent reading, but are often structured to make it easy for children to add their own rhymes and embellishments. His subjects range from a run through the ABCs and (at the end, of course) snuggling down into a bedtime hush to stars, snails, and sneezes: “Where’s the sneeze gone? / I’m going to guess: / It started in my nose / And ended in a mess.” The wordplay particularly shines in verses evocatively titled “Long Leggy Eggy” and the unbridled nonsense of “Hip Hap Happy” (“Give me a hip / Give me a hap / Give me a hip hap happy / Give me a tip / Give me a tap / Give me a tip tap tappy”), but the cheery tone remains so steady that even the final sighed “Good night!” comes with an exclamation point. (This book was reviewed digitally.)
Irresistible invitations to engage and interact with words. (index) (Picture book poetry. 3-6)Pub Date: Nov. 15, 2022
ISBN: 978-1-5362-2497-9
Page Count: 64
Publisher: Candlewick
Review Posted Online: Sept. 13, 2022
Kirkus Reviews Issue: Oct. 1, 2022
Nothing new here but a nonetheless congenial matriculant in publishing’s autumnal rite of back-to-school offerings.
The Crayons head back to class in this latest series entry.
Daywalt’s expository text lays out the basics as various Crayons wave goodbye to the beach, choose a first-day outfit, greet old friends, and make new ones. As in previous outings, the perennially droll illustrations and hand-lettered Crayon-speak drive the humor. The ever wrapperless Peach, opining, “What am I going to wear?” surveys three options: top hat and tails, a chef’s toque and apron, and a Santa suit. New friends Chunky Toddler Crayon (who’s missing a bite-sized bit of their blue point) and Husky Toddler Crayon speculate excitedly on their common last name: “I wonder if we’re related!” White Crayon, all but disappearing against the page’s copious white space, sits cross-legged reading a copy of H.G. Wells’ The Invisible Man. And Yellow and Orange, notable for their previous existential argument about the color of the sun, find agreement in science class: Jupiter, clearly, is yellow AND orange. Everybody’s excited about art class—“Even if they make a mess. Actually…ESPECIALLY if they make a mess!” Here, a spread of crayoned doodles of butterflies, hearts, and stars is followed by one with fulsome scribbles. Fans of previous outings will spot cameos from Glow in the Dark and yellow-caped Esteban (the Crayon formerly known as Pea Green). (This book was reviewed digitally.)
Nothing new here but a nonetheless congenial matriculant in publishing’s autumnal rite of back-to-school offerings. (Picture book. 4-6)Pub Date: May 16, 2023
ISBN: 9780593621110
Page Count: 32
Publisher: Philomel
Review Posted Online: Feb. 24, 2023
Kirkus Reviews Issue: March 15, 2023
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
While there are many rhyming truck books out there, this stands out for being a collection of poems.
Rhyming poems introduce children to anthropomorphized trucks of all sorts, as well as the jobs that they do.
Adorable multiethnic children are the drivers of these 16 trucks—from construction equipment to city trucks, rescue vehicles and a semi—easily standing in for readers, a point made very clear on the final spread. Varying rhyme schemes and poem lengths help keep readers’ attention. For the most part, the rhymes and rhythms work, as in this, from “Cement Mixer”: “No time to wait; / he can’t sit still. / He has to beg your pardon. / For if he dawdles on the way, / his slushy load will harden.” Slonim’s trucks each sport an expressive pair of eyes, but the anthropomorphism stops there, at least in the pictures—Vestergaard sometimes takes it too far, as in “Bulldozer”: “He’s not a bully, either, / although he’s big and tough. / He waits his turn, plays well with friends, / and pushes just enough.” A few trucks’ jobs get short shrift, to mixed effect: “Skid-Steer Loader” focuses on how this truck moves without the typical steering wheel, but “Semi” runs with a royalty analogy and fails to truly impart any knowledge. The acrylic-and-charcoal artwork, set against white backgrounds, keeps the focus on the trucks and the jobs they are doing.
While there are many rhyming truck books out there, this stands out for being a collection of poems. (Picture book/poetry. 3-6)Pub Date: Aug. 27, 2013
ISBN: 978-0-7636-5078-0
Page Count: 32
Publisher: Candlewick
Review Posted Online: May 28, 2013
Kirkus Reviews Issue: June 15, 2013
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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