A well-conceived and well-executed meditation on trust, privacy, and reputation.
A high school deals with a mass faculty doxxing in this debut literary novel.
Clearwater Community High School has been doxxed. The dating profiles, sexts, and nudes of 41 faculty members have just been published by a local gossip website, and the school has unexpectedly collapsed into complete chaos. The material includes a cache of damaging emails sent by popular English teacher Andy Waters; a series of embarrassing texts documenting an ill-fated fling between the gym coach and the physics teacher; and a video of young math teacher Jennifer Watson having sex with the father of one of her students. It falls to Principal Vince Darten—one of the few Black administrators in the affluent White town of Clearwater, Indiana—to respond to the area’s outrage while attempting to support his teachers: “The community reaction was apoplectic. Daily, he met with more students and parents than he did aggrieved teachers. Some demanded transfers or teacher removals; one student claimed he no longer felt safe in Orchestra and asked for the music program to be suspended or dissolved.” The revelation that their teachers are flawed, sexual beings comes as quite a shock to the students, as does the invasive police investigation to catch the anonymous leaker. When it becomes clear that the “Clearwater Cloudburst” is not a one-time event, the pressure is on for Vince to stop the madness before the school tears itself apart. Rossi’s fluid prose shadows the interior lives of his large cast of characters, as here with Lana Collins, the school’s transgender French teacher: “Unlike many of her fellow educators, Lana greeted the release of her files with a sense of grim resignation rather than shock or betrayal. Her whole life, she reflected, constituted unwanted, forced exposure.” The premise is inspired, and the author plays it out in a way that allows him to grapple with a number of contemporary social cleavages. What’s more, the book speaks to that much older, deeper fear of having one’s true self revealed before the community. While the plot is overly neat at times, it makes for a fun, thought-provoking read.
A well-conceived and well-executed meditation on trust, privacy, and reputation.Pub Date: Nov. 17, 2022
ISBN: 979-8986641300
Page Count: 336
Publisher: Self
Review Posted Online: Oct. 29, 2022
Kirkus Reviews Issue: Jan. 15, 2023
Review Program: Kirkus Indie
BOOK REVIEW
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.
A chance meeting in a museum unlocks a long-closed door in a family’s past.
Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.Pub Date: June 2, 2026
ISBN: 9780063511637
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: April 6, 2026
Kirkus Reviews Issue: May 1, 2026
PERSPECTIVES
PERSPECTIVES
SEEN & HEARD
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