True tales of the kitchen à la Anthony Bourdain: a pleasure for foodies, and an education of the palate and pocketbook.
A Plimptonesque writer finds further adventures, and misadventures, over an open range.
Building on The Making of a Chef (1997) and The Soul of a Chef (not reviewed), Ruhlman returns to the Culinary Institute of America, a one-time trade school that ascended to college status and acquired a student body to match—not only youngsters seeking to become chefs, but also older professionals engineering midlife career changes away from, say, brokering and toward, say, pastry-decorating. Ruhlman notes that in just the last few years Americans have been discovering that it’s possible to eat well, just as certain chefs have discovered that it’s possible to make sizeable fortunes from becoming brand names, with presences on the Food Network and in all the right magazines. Remarks one career adviser, circularly, “Not everybody likes a brand, but everybody likes a celebrity. . . . You become a celebrity because everybody likes your brand.” The rush to stardom benefits only a few, of course, leaving all those CIA enrollees who graduate only to work 80 hours a week for salaries in the low five figures most irritated—and eager to complain. Therein lies another change in culinary mores: The culture of complaint has entered the kitchen. Where it was once customary for someone to be fired for the quietest grumble—for “to allow people to complain opened up the doors to self-deception, laziness, and a lack of accountability”—whining is now de rigueur, coupled with an insistence that chefs not scream at their underlings, another traditional practice that’s becoming rarer in the face of this sensitive new workforce. Ruhlman rushes about the country, fascinated by celebrity chefs here, up-and-comers there, America’s changing food habits here, the underlings of the culinary world there, and his travels are wondrous to behold, especially when he hits Manhattan’s Masa sushi empire and its customary four-digit lunch bills.
True tales of the kitchen à la Anthony Bourdain: a pleasure for foodies, and an education of the palate and pocketbook.Pub Date: May 18, 2006
ISBN: 0-670-03763-X
Page Count: 352
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
IN THE NEWS
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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