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CLEVELAND NOIR

Ruhlman and Headen draft an outstanding crew of writers to chronicle the misery of folks who can’t get out of their own ways.

Fifteen new tales of murder and mayhem as diverse as the city that spawned them.

How could a city whose main waterway once burned for 20 minutes, with flames reaching as high as five stories, deny its flair for the dramatic? Ruhlman and Headen populate this volume with a host of colorful characters who’d rule the world if they didn’t trip over their own feet. Take Caro, the hero of Abby L. Vandiver’s “Sugar Daddy,” who tries to run some game but ends up a chump. Or Gwen and Ally, two girls from Settler’s Landing who have a sweet con going in ritzy Bratenahl until they don’t, in Paula McLain’s “Love Always.” Susan Petrone tells the tale of a sportswriter who gets the interview of a lifetime but fails spectacularly to capitalize on it in “The Silent Partner.” So does Calvin, journalist hero of Dana McSwain’s “Bus Stop,” who has the very specialized gift of speaking to young female murder victims years after their demises but can’t bring them justice. Perhaps the saddest tale here is Angela Crook’s “Bitter,” which describes how the need for revenge can blot out years of hard-earned success. On the flip side, years of profitable petty chiseling can so quickly turn on their heads in editor Headen’s “The Book of Numbers.” Roxanne, in editor Ruhlman’s “The Ultimate Cure,” doesn’t so much bring destruction upon herself as blunder into it—unlike rock star Anders in Daniel Stashower’s “Lenny, but Not Corky,” who can’t wait to discover disaster on his own doorstep.

Ruhlman and Headen draft an outstanding crew of writers to chronicle the misery of folks who can’t get out of their own ways.

Pub Date: Aug. 1, 2023

ISBN: 9781636140995

Page Count: 256

Publisher: Akashic

Review Posted Online: June 8, 2023

Kirkus Reviews Issue: July 1, 2023

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A CONSPIRACY OF BONES

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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THE WIDOW

Everything you’d expect from Grisham, and this time something more.

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  • New York Times Bestseller

After more than three decades of producing bestselling legal thrillers, Grisham tries his hand at a whodunit.

Eleanor Barnett wants Simon Latch to write her a will. That’s pretty much his job description, since practicing law in Braxton, Virginia, for 18 years hasn’t given him much opportunity to spread his wings. But the case of Netty, as she insists he call her, is different. She’s an 85-year-old widow whose second husband, Harry Korsak, left her with something like $20 million in cash and securities. She has a pair of stepsons, Clyde and Jerry Korsak, she’s determined to disinherit. And she already has a will, a document Wally Thackerman drafted a few weeks ago that basically allowed him, as Simon soon discovers, to pillage her estate. So instead of following his usual procedure and asking his longtime secretary, Matilda Clark, to type out the will, Simon types it himself and has it witnessed without saying anything to her. Of course he’d never do what Wally Thackerman did, but given his poverty, his gambling addiction, and his estrangement from his wife, Paula, whose income is a lot more stable than his own, he wouldn’t mind drawing just a bit on Netty’s wealth. As it happens, his new client turns out to be more trouble than she’s worth, maybe even more trouble than she would’ve been worth to Wally. And when she ends up dying, her death is swiftly identified as murder, with every indication that Simon killed her himself. The whodunit is unremarkable, but Grisham handles the legal complexities of the case with professional finesse and adds a wonderfully poignant portrait of a nothingburger lawyer trying his best to keep things more or less legal.

Everything you’d expect from Grisham, and this time something more.

Pub Date: Oct. 21, 2025

ISBN: 9780385548984

Page Count: 416

Publisher: Doubleday

Review Posted Online: July 4, 2025

Kirkus Reviews Issue: Aug. 1, 2025

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